锘??xml version="1.0" encoding="utf-8" standalone="yes"?> I am honored to be with you today at your commencement from one of the finest
universities in the world. Truth be told, I never graduated from college, this
is the closest I’ve ever gotten to a college graduation. Today I want to tell
you three stories from my life. That’s it. No big deal. Just three stories. The first story is about connecting the dots. I dropped out of Reed College after the first 6 months, but then stayed
around as a drop-in for another 18 months or so before I really quit. So why did
I drop out? It started before I was born. My biological mother was a young, unwed college
graduate student, and she decided to put me up for adoption. She felt very
strongly that I should be adopted by college graduates, so everything was all
set for me to be adopted at birth by a lawyer and his wife. Except that when I
popped out they decided at the last minute that they really wanted a girl. So my
parents, who were on a waiting list, got a call in the middle of the night
asking: “We have an unexpected baby boy; do you want him?” They said: “Of
course.” My biological mother later found out that my mother had never graduated
from college and that my father had never graduated from high school. She
refused to sign the final adoption papers. She only relented a few months later
when my parents promised that I would someday go to college. And 17 years later I did go to college. But I naively chose a college that
was almost as expensive as Stanford, and all of my working-class parents’
savings were being spent on my college tuition. After six months, I couldn’t see
the value in it. I had no idea what I wanted to do with my life and no idea how
college was going to help me figure it out. And here I was spending all of the
money my parents had saved their entire life. So I decided to drop out and trust
that it would all work out OK. It was pretty scary at the time, but looking back
it was one of the best decisions I ever made. The minute I dropped out I could
stop taking the required classes that didn’t interest me, and begin dropping in
on the ones that looked interesting. It wasn’t all romantic. I didn’t have a dorm room, so I slept on the floor in
friends’ rooms, I returned coke bottles for the 5¢ deposits to buy food with,
and I would walk the 7 miles across town every Sunday night to get one good meal
a week at the Hare Krishna temple. I loved it. And much of what I stumbled into
by following my curiosity and intuition turned out to be priceless later on. Let
me give you one example: Reed College at that time offered perhaps the best calligraphy instruction in
the country. Throughout the campus every poster, every label on every drawer,
was beautifully hand calligraphed. Because I had dropped out and didn’t have to
take the normal classes, I decided to take a calligraphy class to learn how to
do this. I learned about serif and san serif typefaces, about varying the amount
of space between different letter combinations, about what makes great
typography great. It was beautiful, historical, artistically subtle in a way
that science can’t capture, and I found it fascinating. None of this had even a hope of any practical application in my life. But ten
years later, when we were designing the first Macintosh computer, it all came
back to me. And we designed it all into the Mac. It was the first computer with
beautiful typography. If I had never dropped in on that single course in
college, the Mac would have never had multiple typefaces or proportionally
spaced fonts. And since Windows just copied the Mac, its likely that no personal
computer would have them. If I had never dropped out, I would have never dropped
in on this calligraphy class, and personal computers might not have the
wonderful typography that they do. Of course it was impossible to connect the
dots looking forward when I was in college. But it was very, very clear looking
backwards ten years later. Again, you can’t connect the dots looking forward; you can only connect them
looking backwards. So you have to trust that the dots will somehow connect in
your future. You have to trust in something - your gut, destiny, life, karma,
whatever. This approach has never let me down, and it has made all the
difference in my life. My second story is about love and loss. I was lucky, I found what I loved to do early in life. Woz and I started
Apple in my parents garage when I was 20. We worked hard, and in 10 years Apple
had grown from just the two of us in a garage into a $2 billion company with
over 4000 employees. We had just released our finest creation - the Macintosh -
a year earlier, and I had just turned 30. And then I got fired. How can you get
fired from a company you started? Well, as Apple grew we hired someone who I
thought was very talented to run the company with me, and for the first year or
so things went well. But then our visions of the future began to diverge and
eventually we had a falling out. When we did, our Board of Directors sided with
him. So at 30 I was out. And very publicly out. What had been the focus of my
entire adult life was gone, and it was devastating. I really didn’t know what to do for a few months. I felt that I had let the
previous generation of entrepreneurs down - that I had dropped the baton as it
was being passed to me. I met with David Packard and Bob Noyce and tried to
apologize for screwing up so badly. I was a very public failure, and I even
thought about running away from the valley. But something slowly began to dawn
on me Ð I still loved what I did. The turn of events at Apple had not changed
that one bit. I had been rejected, but I was still in love. And so I decided to
start over. I didn’t see it then, but it turned out that getting fired from Apple was the
best thing that could have ever happened to me. The heaviness of being
successful was replaced by the lightness of being a beginner again, less sure
about everything. It freed me to enter one of the most creative periods of my
life. During the next five years, I started a company named NeXT, another company
named Pixar, and fell in love with an amazing woman who would become my wife.
Pixar went on to create the worlds first computer animated feature film, Toy
Story, and is now the most successful animation studio in the world. In a
remarkable turn of events, Apple bought NeXT, I retuned to Apple, and the
technology we developed at NeXT is at the heart of Apple’s current renaissance.
And Laurene and I have a wonderful family together. I’m pretty sure none of this would have happened if I hadn’t been fired from
Apple. It was awful tasting medicine, but I guess the patient needed it.
Sometimes life hits you in the head with a brick. Don’t lose faith. I’m
convinced that the only thing that kept me going was that I loved what I did.
You’ve got to find what you love. And that is as true for your work as it is for
your lovers. Your work is going to fill a large part of your life, and the only
way to be truly satisfied is to do what you believe is great work. And the only
way to do great work is to love what you do. If you haven’t found it yet, keep
looking. Don’t settle. As with all matters of the heart, you’ll know when you
find it. And, like any great relationship, it just gets better and better as the
years roll on. So keep looking until you find it. Don’t settle. My third story is about death. When I was 17, I read a quote that went something like: “If you live each day
as if it was your last, someday you’ll most certainly be right.” It made an
impression on me, and since then, for the past 33 years, I have looked in the
mirror every morning and asked myself: “If today were the last day of my life,
would I want to do what I am about to do today?” And whenever the answer has
been “No” for too many days in a row, I know I need to change something. Remembering that I’ll be dead soon is the most important tool I’ve ever
encountered to help me make the big choices in life. Because almost everything Ð
all external expectations, all pride, all fear of embarrassment or failure -
these things just fall away in the face of death, leaving only what is truly
important. Remembering that you are going to die is the best way I know to avoid
the trap of thinking you have something to lose. You are already naked. There is
no reason not to follow your heart. About a year ago I was diagnosed with cancer. I had a scan at 7:30 in the
morning, and it clearly showed a tumor on my pancreas. I didn’t even know what a
pancreas was. The doctors told me this was almost certainly a type of cancer
that is incurable, and that I should expect to live no longer than three to six
months. My doctor advised me to go home and get my affairs in order, which is
doctor’s code for prepare to die. It means to try to tell your kids everything
you thought you’d have the next 10 years to tell them in just a few months. It
means to make sure everything is buttoned up so that it will be as easy as
possible for your family. It means to say your goodbyes. I lived with that diagnosis all day. Later that evening I had a biopsy, where
they stuck an endoscope down my throat, through my stomach and into my
intestines, put a needle into my pancreas and got a few cells from the tumor. I
was sedated, but my wife, who was there, told me that when they viewed the cells
under a microscope the doctors started crying because it turned out to be a very
rare form of pancreatic cancer that is curable with surgery. I had the surgery
and I’m fine now. This was the closest I’ve been to facing death, and I hope its the closest I
get for a few more decades. Having lived through it, I can now say this to you
with a bit more certainty than when death was a useful but purely intellectual
concept: No one wants to die. Even people who want to go to heaven don’t want to die
to get there. And yet death is the destination we all share. No one has ever
escaped it. And that is as it should be, because Death is very likely the single
best invention of Life. It is Life’s change agent. It clears out the old to make
way for the new. Right now the new is you, but someday not too long from now,
you will gradually become the old and be cleared away. Sorry to be so dramatic,
but it is quite true. Your time is limited, so don’t waste it living someone else’s life. Don’t be
trapped by dogma - which is living with the results of other people’s thinking.
Don’t let the noise of other’s opinions drown out your own inner voice. And most
important, have the courage to follow your heart and intuition. They somehow
already know what you truly want to become. Everything else is secondary. When I was young, there was an amazing publication called The Whole Earth
Catalog, which was one of the bibles of my generation. It was created by a
fellow named Stewart Brand not far from here in Menlo Park, and he brought it to
life with his poetic touch. This was in the late 1960’s, before personal
computers and desktop publishing, so it was all made with typewriters, scissors,
and polaroid cameras. It was sort of like Google in paperback form, 35 years
before Google came along: it was idealistic, and overflowing with neat tools and
great notions. Stewart and his team put out several issues of The Whole Earth Catalog, and
then when it had run its course, they put out a final issue. It was the
mid-1970s, and I was your age. On the back cover of their final issue was a
photograph of an early morning country road, the kind you might find yourself
hitchhiking on if you were so adventurous. Beneath it were the words: “Stay
Hungry. Stay Foolish.” It was their farewell message as they signed off. Stay
Hungry. Stay Foolish. And I have always wished that for myself. And now, as you
graduate to begin anew, I wish that for you. Stay Hungry. Stay Foolish. Thank you all very much.
“鍒濅腑鏃跺涔?fàn)楂樹腑鍜屽ぇ瀛︾殑鏁板?#8221; 錛屼斧鐨勮繕鍦ㄥ啘鏉戝憿錛屽摢閲屾潵鐨勪功? “寰Н鍒嗙殑鎬濇兂銆?#8221;
“鎸夊叴瓚e彂灞曘?#8221; 鍜屾垜鍒濅腑鏃跺鐗╃悊涓鏍峰槢錛屽彲鎯滀亢褰撳勾鎵句笉鍒頒功鐪嬶紝涓嶇劧淇轟篃鏄墰浜轟簡錛屽搱鍝堛?br>
1鏄叴瓚o紝2鏄兘瓚呭墠瀛︿範(fàn)銆?br>
“15宀佷笂澶у” 銆傜湡鏄粓鐢熸暀鑲插晩
“涓ゆ渶鐗涢肩殑鍚屽鑷潃” 緇忓緱璧風(fēng)(緇?br>
“涓嶇煡閬撲笅涓姝ュ浠涔?#8221; 鏈変漢鑳藉湪瀹忚涓婃寚瀵兼槸澶氫箞閲嶈銆?
鏁欒偛瀛︾敓“鍙鍛婅瘔浠栦竴涓柟鍚?#8221;
“鏈夐矞鏄庝釜鎬х殑瀛︾敓” “鎵硅瘎鑰佸笀” “浜ゅぇ鐨勮綆楁満紜曞+” “鎴愪負(fù)涓栫晫钁楀悕鐨勬暟瀛﹀” “涓や笁騫翠箣鍐?#8221;
“濂ユ暟” “绔炶禌 ” -“嬋鍔卞叴瓚?鑷繁涔頒功 鑷繁鍘葷湅 鑷繁鎬濊?#8221; “娌℃湁鍩硅鐝?#8221; “鎯沖ソ鍑犱釜鏈?#8221; “鍋氱爺絀?鎯沖ソ鍑犲勾”
“榪涘叆澶у灝辨槸浜虹敓鐩爣” “涓虹埗姣嶈涔︼紝涓嶆槸涓鴻嚜宸辯殑鍏磋叮璇諱功”
“緹庡浗瀛╁瓙姣忓ぉ灝辨槸鎯崇潃鎬庝箞鍘葷帺” “涓嶉噸瑙嗘暟瀛︽妧宸?#8221;
“灝忓涓浜屽勾綰у紑濮嬶紝鍋氫竴浜涚爺絀舵х殑涓滆タ” “灞曟澘” “婕旇” “璁茬殑鑳藉姏”
“緹庡浗楂樹腑鐢熷帇鍔涢潪甯稿ぇ” “鑰冭瘯涓嶆瘮鍥藉唴灝?#8221;
“錛堢數(shù)瀛愭父鎴忥級灝忕殑鏃跺欐病鎺ヨЕ榪囷紝涓涓婂ぇ瀛﹀閲屼笉綆′簡”
“鏈烘璁粌” “娌℃湁鎴愬氨鎰?” “涓嶆槸鏅哄姏鐨勮〃鐜?#8221;
“鍥藉唴瀛︾敓鍩虹濂?#8221; “寰Н鍒嗗緢濂?#8221;
“緙轟箯鑷俊” “璇蜂粬浠悆楗?#8221; “鍚冧簡寰堝嬈¢キ” “琛ㄨ揪鑳藉姏嬈犵己”
“鏁板瀛︿範(fàn)鐨勬柟娉?#8221;
“瓚呭墠瀛︿範(fàn)” “棰勪範(fàn)” “瀛﹂珮騫寸駭鐨勭煡璇?#8221; “璧板湪鑰佸笀鍓嶉潰” 绔欏緱楂樼湅寰楄繙鍟娿?br>
“鍋氶澶” “涓嶈涓烘妧宸ц屾妧宸?#8221;
“鍏磋叮涔嬫墍浠ヨ兘浜х敓” “鑷繁鐨勬兂娉曡兘瑙e喅闂錛?鎴愬氨鎰燂紝 瑙夊緱鑷繁鏈変笌浼椾笉鍚岀殑鍦版柟”
“鎷撳鐭ヨ瘑闈?#8221; “鐪嬪緱榪滀竴浜?#8221;
“濂ユ暟” “寰堝ぇ鐨勫埄鐩婇摼”
“鐗╃悊瀛﹀瀛︽暟瀛︾殑鏂規(guī)硶” “鍦ㄧ爺絀朵腑瀛︿範(fàn)” 鍙堟槸瓚呭墠瀛︿範(fàn)
“澶氱湅鐐逛紶璁幫紝澶у鐨勬椂鍊?#8221;
“緹庡浗澶у鐨勫煿鍏繪柟寮忥細(xì)鎵斿埌姘撮噷娓告吵”
google, 綰挎т唬鏁?鐭╅樀
“鏁板璁粌闈炲父閲嶈”
璐規(guī)浖錛?“澶╂墠錛氳剳琚嬮噷鏀懼嚑涓棶棰橈紝瀛﹀埌涓涓柊鐨勬柟娉曞悗鎶婅繖浜涢棶棰樿瘯涓閬嶏紝璇翠笉瀹氬摢澶╁氨鎵撳紑浜嗭紝鍒漢灝辮寰椾綘鏄釜澶╂墠”
“鏁板鍝佸懗” 鐭ラ亾浠涔堟槸濂斤紝浠涔堟槸宸?br>
“鐮旂┒ research” “鍙嶅鏌ユ壘”
]]>
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In human freedom in the philosophical sense I am
definitely a disbeliever. Everybody acts not only under external
compulsion but also in accordance with inner necessity. Schopenhauer's
saying, that "a man can do as he will, but not will as he will," has
been an inspiration to me since my youth up, and a continual
consolation and unfailing well-spring of patience in the face of the
hardships of life, my own and others'. This feeling mercifully
mitigates the sense of responsibility which so easily becomes
paralyzing, and it prevents us from taking ourselves and other people
too seriously; it conduces to a view of life in which humour, above
all, has its due place.
To inquire after the meaning or object of one's own
existence or of creation generally has always seemed to me absurd from
an objective point of view. And yet everybody has certain ideals which
determine the direction of his endeavours and his judgments. In this
sense I have never looked upon ease and happiness as ends in themselves
鈥?such an ethical basis I call more proper for a herd of swine. The
ideals which have lighted me on my way and time after time given me new
courage to face life cheerfully, have been Truth, Goodness, and Beauty.
Without the sense of fellowship with men of like mind, of preoccupation
with the objective, the eternally unattainable in the field of art and
scientific research, life would have seemed to me empty. The ordinary
objects of human endeavour 鈥?property, outward success, luxury 鈥?have
always seemed to me contemptible.
My passionate sense of social justice and social
responsibility has always contrasted oddly with my pronounced freedom
from the need for direct contact with other human beings and human
communities. I gang my own gait and have never belonged to my country,
my home, my friends, or even my immediate family, with my whole heart;
in the face of all these ties I have never lost an obstinate sense of
detachment, of the need for solitude 鈥?a feeling which increases with
the tears. One is sharply conscious, yet without regret, of the limits
to the possibility of mutual understanding and sympathy with one's
fellow-creatures. Such a person no doubt loses something in the way of
geniality and light-heartedness; on the other hand, he is largely
independent of the opinions, habits, and judgments of his fellows and
avoids the temptation to take his stand on such insecure foundations.
My political ideal is that of democracy. Let every man be
respected as an individual and no man idolized. It is an irony of fate
that I myself have been the recipient of excessive admiration and
respect from my fellows through no fault, and no merit, of my own. The
cause of this may well be the desire, unattainable for many, to
understand the one or two ideas to which I have with my feeble powers
attained through ceaseless struggle. I am quite aware that it is
necessary for the success of any complex undertaking that one man
should do the thinking and directing and in general bear the
responsibility. But the led must not be compelled, they must be able to
choose their leader. An autocratic system of coercion, in my opinion,
soon degenerates. For force always attracts men of low morality, and I
believe it to be an invariable rule that tyrants of genius are
succeeded by scoundrels. For this reason I have always been
passionately opposed to systems such as we see in Italy and Russia
to-day. The thing that has brought discredit upon the prevailing form
of democracy in Europe to-day is not to be laid to the door of the
democratic idea as such, but to lack of stability on the part of the
heads of governments and to the impersonal character of the electoral
system. I believe that in this respect the United States of America
have found the right way. They have a responsible President who is
elected for a sufficiently long period and has sufficient powers to be
really responsible. On the other hand, what I value in our political
system is the more extensive provision that it makes for the individual
in case of illness or need. The really valuable thing in a pageant of
human life seems to me not the State but the creative, sentient
individual, the personality; it alone creates the noble and the
sublime, while the herd as such remains dull in thought and dull in
feeling.
This topic brings me to that worst outcrop of the herd
nature, the military system, which I abhor. That a man can take
pleasure in marching in formation to the strains of a band is enough to
make me despise him. He has only been given his big brain by mistake; a
backbone was all he needed. This plague-spot of civilization ought to
be abolished with all possible speed. Heroism by order, senseless
violence, and all the pestilent nonsense that goes by the name of
patriotism 鈥?how I hate them! War seems to me a mean, contemptible
thing: I would rather be hacked in pieces than take part in such an
abominable business. And yet so high, in spite of everything, is my
opinion of the human race that I believe this bogey would have
disappeared long ago, had the sound sense of the nations not been
systematically corrupted by commercial and political interests acting
through the schools and the Press.
The fairest thing we can experience is the mysterious. It
is the fundamental emotion which stands at the cradle of true art and
true science. He who knows it not and can no longer wonder, no longer
feel amazement, is as good as dead, a snuffed-out candle. It was the
experience of mystery 鈥?even if mixed with fear 鈥?that engendered
religion. A knowledge of the existence of something we cannot
penetrate, of the manifestations of the profoundest reason and the most
radiant beauty, which are only accessible to our reason in their most
elementary forms 鈥?it is this knowledge and this emotion that
constitute the truly religious attitude; in this sense, and in this
alone, I am a deeply religious man. I cannot conceive of a God who
rewards and punishes his creatures, or has a will of the type of which
we are conscious in ourselves. An individual who should survive his
physical death is also beyond my comprehension, nor do I wish it
otherwise; such notions are for the fears or absurd egoism of feeble
souls. Enough for me the mystery of the eternity of life, and the
inkling of the marvelous structure of reality, together with the
single-hearted endeavour to comprehend a portion, be it never so tiny,
of the reason that manifests itself in nature.
]]>
http://blog.csdn.net/fudan_abc/
http://www.cnblogs.com/guaiguai/
http://www.oursci.org/ency/phil/020.htm
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Northern Bound
The Crossing
The Highest Gander_Robert Wyatt
Beating Drums
The Return Of The Cranes
The Blue Thread
The Red Forest_Robert Wyatt
Like A Breath Of Air_A Filetta
The Takeoff
Amidst The Factory Smoke
The Glider
After The Hunt
The Paper Parrot
The Swans Flight
Feathers
The Wounded Dove_Gabriel Yacoub
Off Camera
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When a train goes through a tunnel and it gets dark, you don't throw away the ticket and jump off. You sit still and trust the engineer.
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浣滆?闄堜腹闈?/p>
澶у濂斤細(xì)
榪欐槸鎴戠涓夋璋堣椴佽繀鍏堢敓浜嗐傛瘡嬈¢兘鏄張鎭暚錛屽張鏈夌偣绱у紶銆傛槰澶╃壒鍦板墐浜嗗ご錛屾崲鍙屾柊鐨瀷銆傛垜涓嶄細(xì)褰撳満璁叉紨錛岃鍒伴瞾榪呯殑璇濋錛屽挨鍏墮儜閲嶏紝鎬昏浜嬪厛鍐欑偣紼垮瓙鎵嶈兘鑷互涓鴻寰楁竻妤氫竴浜涖備笅闈㈡垜鎸夌潃紼垮瓙蹇碉紝鍐嶄綔浜涘彂鎸ワ紝璇瘋浣嶅師璋呫?/p>
錛堜竴錛?/p>
椴佽繀鍏堢敓鐨勭邯蹇典細(xì)錛屼竷鍗佸勾鏉ヤ笉鐭ュ紑榪囧灝戞浜嗐傚湪涓浗錛岄瞾榪呰嚦浠婃槸涓ぇ璇濋銆?/p>
綺楃暐璇存潵錛屼粠椴佽繀閫濅笘鐨?936騫村埌1949騫達(dá)紝椴佽繀璇濋涓烘皯鏃忛潻鍛介棶棰樻墍緙犵粫錛涗粠1949騫村埌鍏崄騫翠唬鍒濓紝椴佽繀璇濋鍒欐垚涓哄噯瀹樻柟鎰忚瘑褰㈡侊紝鍦ㄥぇ闄嗘棤浜烘暍浜庡啋鐘紝鍦ㄥ彴婀捐闀挎湡灝佹潃銆傛諱箣錛屸滈瞾榪呰瘽棰樷濇槸鐧懼垎涔嬬櫨鐨勨滄斂娌昏瘽棰樷濄?/p>
鍏崄騫翠唬涓湡錛岄瞾榪呰瘽棰橀愭笎琚Щ鍑烘斂娌葷キ鍧涳紝鎸繘瀛︽湳棰嗗煙錛涗節(jié)鍗佸勾浠h縿浠婏紝瀹樻柟瀵歸瞾榪呰瘽棰樺紑濮嬩簡娌夐粯銆佸洖閬褲佸喎娣$殑鎴忓墽鎬ц繃紼嬨備簩鍗佸騫存潵錛屼婦鍑¢噸瑕佺殑鍥藉璇濋鍜屾斂搴滆璦錛屼笉鍐嶈兘澶燂紝涔熶笉鍐嶆墦綆椾粠椴佽繀閭i噷鐩樺墺鎼滃浠諱綍璇存硶錛岄瞾榪呰瘽棰樼殑搴炲ぇ鍒╃敤浠峰間技涔庤蛋鍒板敖澶達(dá)紝鐢扁滃湪鏈濃濊漿鍚戔滃湪閲庘濓紝闅忓嵆鍦ㄥ鐣屼笌姘戦棿灞曞紑鈥滈瞾榪呬簤璁濓紝鐜嬫湐錛屾槸榪欏満浜夎鐨勫彂闅捐呫?/p>
鍒頒簡鏂頒笘綰紝鈥滈瞾榪呬簤璁濊鐢熶簡鈥滆繕鍘熼瞾榪呪濈殑鎰挎湜銆傚氨鎴戞墍鐭ワ紝涓嶈鏄瞾榪呯殑鈥滄崓鍗淳鈥濊繕鏄滆川鐤戣呪濓紝榪戝崄浣欏勾鍑虹増鐨勯瞾榪呬笓钁楀ぇ騫呭害鎶涘純瀹樻柟鎰忚瘑褰㈡佸昂搴︼紝璇曞浘鎻忚堪鐪熷疄鐨勯瞾榪呫傛棫鍙叉枡鍑虹幇鏂扮殑瑙h錛屼竴浜涙柊鐨勫彶鏂欐姭闇蹭簡銆傚叾涓紝鏈鍙敞鎰忕殑澹伴煶鏉ヨ嚜椴佽繀鍚庝唬錛氬厛鏈?002騫村懆嫻峰┐鍥炲繂褰曘婃垜涓庨瞾榪呬竷鍗佸勾銆嬶紝鍚庢湁2006騫存搗濠村厛鐢熷ぇ鍏瓙鍛ㄤ護(hù)椋炲悓蹇楀湪浜ら氬ぇ瀛︾殑涓鍦鴻婕旓紝榪欎綅椴佽繀鐨勯暱瀛欑洿鎴簡褰撻棶閬擄細(xì)鈥滈瞾榪呮槸璋侊紵鈥?/p>
榪欏彲鑳芥槸榪勪粖涓烘鍏充簬椴佽繀鏈涓烘縺鐑堣岃鍒虹殑鍙戦棶銆傝繖涓闂紝瀹e憡涓冨崄騫存潵鎴戜滑琚憡鐭ョ殑閭d綅椴佽繀鍏堢敓錛岄潰鐩叏闈炪?/p>
錛堜簩錛?/p>
鎴戜滑鍙兘閮戒細(xì)鍚屾剰錛屽嚑鍗佸勾鏉ワ紝涓浗鍘嗗彶榪滆繙榪戣繎鐨勫ぇ浜虹墿鍑犱箮閮借寮勫緱闈㈢洰鍏ㄩ潪銆傝岄瞾榪呯殑琚壄鏇詫紝鏄幇浠d腑鍥戒竴妗╄秴綰у叕妗堛備粠浜斿崄騫粹滄斂娌昏瘽棰樷濆埌榪戜簩鍗佸勾鐨勨滈瞾榪呬簤璁濓紝涓浗姣曠珶鏈夋墍榪涙浜嗭紝浠婂ぉ錛岄瞾榪呯殑璇昏呮湁鍙兘紼嶅井鎺ヨ繎椴佽繀鐢熷墠鐨勮澧冦?/p>
浣嗚繖騫朵笉鎰忓懗鐫椴佽繀鐨勨滆繕鍘熲濄?/p>
椴佽繀鍏堢敓鐨勫鍛芥槸浜斿崄澶氬勾錛屼粬姝誨悗琚斂娌誨寲涔熸湁浜斿崄澶氬勾錛涢瞾榪呰憲浣滄槸涓浠介仐浜э紝琚瀬绔斂娌誨寲鐨勯瞾榪呮槸鍙︿竴浠介仐浜с傞瞾榪呯殑騫界伒銆侀瞾榪呯殑璇昏咃紝涓冨崄騫存潵濮嬬粓鍦ㄤ袱涓瞾榪呫佷袱浠介仐浜т箣闂存父鑽°?/p>
榪欐槸椴佽繀鍏鐨勪竴闈€傚彟涓闈紝鎴戜滑鐪嬬湅瑗挎柟銆傝濡備絾涓併佽挋鐢般佽帋澹瘮浜氥佹瓕寰楓侀粦鏍煎皵銆佹墭灝?dāng)鏂嘲銆佸凹閲囥侀┈鍏嬫濃︹﹂兘鏄法澶х殑鍘嗗彶鍏銆佹枃鍖栧叕妗堬紝浠栦滑鍦ㄨ韓鍚庤涓嶆柇瑙h銆佸閫犮佸彂鎺樸佸歡浼搞備粬浠睘浜庝笉鍚岀殑鍥芥棌鍜屾椂浠o紝浣嗕笉灞炰簬鏀挎潈錛涗粬浠鏂囧寲涓庢斂娌誨彂鐢熸繁榪滃獎鍝嶏紝浣嗕粠鏈鐜板疄鏀挎不鍚炴病錛涗粬浠殑涓誨紶闃舵鎬ц繃鏃朵簡錛屽洜涓哄悗浜烘帴緇簡浠栦滑鐨勬枃鑴夛紱浠栦滑鍘嗕箙甯告柊錛屽洜涓轟粬浠棭緇忕啍閾鎬負(fù)鏂囧寲涔嬮摼涓庡巻鍙插潗鏍囥?/p>
椴佽繀韜悗鐨勫懡榪愭鐩稿弽錛氫粬鏄腑鍥界幇浠f枃瀛︾殑澶寸墝錛屼絾濮嬬粓鎶墊娂鍦ㄦ斂鏉冩墜閲岋紱浠栧鐜板疄鏀挎不鍏跺疄姣棤褰卞搷錛屽嵈娌︿負(fù)鏀挎潈鐨勮秴綰ф墦鎵嬶紱浠栬鎮(zhèn)疆錛屼絾闅句互榪囨椂錛屽洜涓轟粬韜悗鏃笉鏇懼嚭鐜般佷篃涓嶅彲鑳藉嚭鐜扮瓑閲忛綈瑙傜殑浜虹墿錛涘洜姝や粬鍘嗕箙闀垮湪錛屼笉瀹屽叏鐢變簬浠栬憲浣滅殑褰卞搷錛岃屾槸鏈楂樿鏍肩殑瀛ょ珛鐘舵侊紱浠栫殑鍏ㄩ泦涓鐗堝啀鐗堬紝浣嗕笌褰撲粖鏂囧寲闅句互寤虹珛媧葷殑鍏崇郴鈥斺旂浉姣旇灝佹潃銆佽閬楀繕錛岄瞾榪呰韓鍚庣殑鍛借繍涓庡澧冩洿鍏惰璋詫紝鏇村叾鎮(zhèn)插搥銆?/p>
涓冨崄騫存潵錛岄瞾榪呭鍓嶆浘鏈夋棤鏁伴潻鍛借呮垨鏉冨娍鑰呯殑椴滆姳錛岃繎浜屽崄騫達(dá)紝鐓炴湁浠嬩簨涔熺艦錛屽彂涔庡唴蹇冧篃濂斤紝瀹樻柟涓庢皯闂翠笉鍐嶄富鍔ㄦ嫓紲傞瞾榪呮竻闈欎簡錛屼笉鍐嶈鍒╃敤錛屼篃涓嶅啀琚緵濂夈傝繖縐嶆毀鏄х殑鍐鋒紶鍜屽墠浜斿崄騫寸倷鎵嬪彲鐑殑鈥滈瞾榪呮斂娌燴濅竴鏍鳳紝閮芥槸鍙嶅父涓庡彉鎬侊紝鏄巻鍙茬殑鍐葷粨銆傜洰鍓嶈繖浠藉凡鍛婂喎鍗寸殑椴佽繀閬椾駭錛屼粛鐒舵槸瀹樻柟鎾ら櫎涔嬪悗鐨勫畼鏂歸仐浜с?/p>
涔?jié)鍗佸骞村墠锛岄瞾杩呯殑澶ф効鏄滄晳鏁戝瀛愶紒鈥濅粖澶╋紝瀛╁瓙浠殑鍛介鍙兘鏄細(xì)鈥滄晳鏁戦瞾榪呪濓紒
錛堜笁錛?/p>
椴佽繀韜悗鐨勬墍鏈夎瘽棰橈紝鏄瞾榪呭厛鐢熺殑闂榪樻槸鎴戜滑鐨勯棶棰橈紵濡傛灉鏄瞾榪呯殑闂錛屼粬鐨勯仐浣滀勘鍦紝瑕佷簤璁氨浜夎錛屼笉鎰胯灝變笉鍘昏錛屾棤鎵璋撹繕鍘熶笉榪樺師錛涘鏋滆繖鏄垜浠殑闂錛岄偅涔堬紝鎴戜滑涓轟粈涔堣榪樺師椴佽繀錛熸庢牱榪樺師錛熸湁娌℃湁鍙兘榪樺師錛?/p>
鎴戞兂鏉ユ兂鍘伙紝絳旀鏄細(xì)涓錛岄棶棰樺嚭鍦ㄦ垜浠紱浜岋紝椴佽繀寰堥毦榪樺師銆備笁錛岃榪樺師椴佽繀鍜屾棤鏁板巻鍙蹭漢鐗╋紝鏈夊緟浜庘滄垜浠濆彂鐢熸牴鏈殑鍙樺寲錛涘洓錛屼笉璁烘槸鑹х殑銆佹伓鎬х殑銆佽繕鏄腑鎬х殑錛屼笉璁轟笌椴佽繀鏈夊叧緋昏繕鏄病鍏崇郴錛岃繖縐嶅彉鍖栫殑榪囩▼浼?xì)寰堥晭靲斺斿彲鑳介渶瑕佸彟涓涓竷鍗佸勾鈥斺斾絾鐪間笅榪欏彉鍖栧凡鍒濋湶绔?/p>
鎵浠ラ噸瑕佺殑涓嶆槸椴佽繀錛屼笉鏄繕鍘燂紝鑰屾槸鈥滄垜浠濈殑鍙樺寲銆?/p>
浠ヤ笅璇曠潃鎵艱璋堣椴佽繀涓轟粈涔堥毦浠ヨ繕鍘燂紝涓轟粈涔堣繖鈥滈毦浠ヨ繕鍘熲濇槸鎴戜滑鐨勯棶棰樸傛渶榪戯紝棣欐腐鍑ゅ嚢鍙板氨椴佽繀閫濅笘涓冨崄鍛ㄥ勾鏉ヨ錛岀粰鎴戜竴緇勫叧浜庨瞾榪呯殑璐ㄧ枒銆傛湁鐨勬棭灝卞惉榪囷紝鏈夌殑闂繪墍鏈椈銆傝蹇嗘墍鍙?qiáng)锛屼粎鋴D濡備笅鏁扮錛?/p>
1錛岄瞾榪呯殑鎬濇兂鍙互鍟嗘Ψ鍚楋紵2錛岄瞾榪呯殑綺劇鏄惁琚戶鎵匡紵鏄惁鍊煎緱緇ф壙錛?錛岄瞾榪呭枩嬈㈤獋浜猴紝鏄惁瀵艱嚧浜轟滑鍦ㄦ枃闈╀腑浜掔浉鏀誨嚮鏂椾簤鐨勬伓涔?fàn)锛?錛屾庝箞鐪嬪緟椴佽繀璁ゅ悓鈥滄棤浜ч樁綰т笓鏀庫濓紵5錛岄瞾榪呯殑鍚嶅彞錛氣滄垜鍚戞潵涓嶆啔浠ユ渶鍧忕殑鎭舵剰鎻f祴涓浗浜衡濓紝鏄惁鍔╅暱浜嗕腑鍥戒漢鐨勬伓錛?/p>
鍦ㄥ崐灝忔椂璁跨瓟涓紝鎴戞棤鑳藉睍寮璋堣錛岀幇鍦ㄩ『鐫闂鎯充笅鍘伙紝鎴戞竻娓呮妤氱湅瑙侊紝闂鍦ㄦ垜浠紝鍦ㄩ偅浠介瞾榪呮斂娌葷殑閬椾駭銆?/p>
鍏朵竴錛岄瞾榪呭彲浠ュ晢姒峰悧錛熻繖鏄吀鍨嬬殑濂存墠鎬濊礬錛屾槸鏋佹潈鏂囧寲鎵嶄細(xì)鎻愬嚭鐨勯棶棰樷斺旀墍鏈変漢鐗╀笌鎬濇兂閮藉彲浠モ滃晢姒封濓紝鐞嗗簲鈥滃晢姒封濓紝浣嗘垜涓嶇敤鈥滃晢姒封濊繖涓瘝錛岄偅鏄腑鍥藉紡浼簤璁虹殑浠g敤璇嶏紝鍚炲悶鍚愬悙錛岃翰韜查棯闂傚綋鈥滃晢姒封濅簩瀛楀緱浠ユ祦琛岀殑騫翠唬錛屾鏄姽鏉鎵硅瘎錛岀姝㈡鐤戠殑騫翠唬錛屾垜浠槸鎬濇兂琚皝閿佽鎺愮伃鐨勫嚑浠d漢璇併?/p>
鍏朵簩錛岄瞾榪呯殑綺劇鏄惁琚戶鎵匡紵鏄惁鍊煎緱緇ф壙錛熸垜鐨勫洖絳旀槸錛氬亣濡傞瞾榪呯簿紲炴寚鐨勬槸鎬鐤戙佹壒璇勫拰鎶椾簤錛岄偅涔堬紝榪欑綺劇涓嶄絾涓濇娌℃湁琚戶鎵匡紝鑰屼笖琚┖鍓嶆垚鍔熷湴閾查櫎浜嗐傛垜涓嶄富寮犵戶鎵胯繖縐嶇簿紲烇紝鍥犱負(fù)璋佷篃緇ф壙涓嶄簡銆佺戶鎵夸笉璧鳳紝闄ら潪浣犳湁涓ゆ潯浠ヤ笂鎬у懡錛屾垨鑰咃紝闄ら潪浣犳槸椴佽繀鍚屾椂浠g殑浜恒傛渶紼沖Ε鐨勫姙娉曟槸鍙栭瞾榪呯簿紲炵殑鍙嶉潰錛氭矇榛樸佸綊欏恒佸ゴ鍖栵紝浠ヨ嚦濂村寲寰楃彔鍦嗙帀娑︺?/p>
鍏朵笁錛岄瞾榪呭枩嬈㈤獋浜猴紝鏄惁瀵艱嚧鏂囬潻鏈熼棿浜轟滑浜掔浉鏀昏鏂椾簤鐨勬伓涔?fàn)锛熼樋遄I闄浣?jīng)锛仒q欐牱鐨勯棶棰橀渶瑕佸洖絳斾箞錛熸湁瓚g殑鍊掓槸鐪嬬湅鍒殑鍥藉銆佸埆鐨勬椂浠o紝鏂囧瀹舵濇兂瀹舵庢牱楠備漢鈥斺旀垜涓嶈涓鴻繖鏄獋浜猴紝鍙嶈屾寚涓洪獋浜鴻咃紝鐪熸槸涓縐嶉獋銆備絾鏃㈡槸璋侀兘鐢ㄨ繖涓瘝錛屽涓斾粠浼楀惂鈥斺斿お榪滅殑渚嬪瓙涓嶅幓璇達(dá)紝浠呯湅姣旈瞾榪呯暐鏃┿佺暐鏅氾紝鎴栧ぇ鑷村悓鏈熺殑浜虹墿錛氭湁浜洪棶紱忓▌鎷滄渶榪戝湪騫蹭粈涔堬紝浠栬錛屾垜鍦ㄧ戶緇瘏鍜掓垜鐨勫悓鑳?yōu)锛屽悜浠栦滑澶翠笂鍊掔勃渚匡紱鎵樺皵鏂嘲涓杈堝瓙楠備漢錛岃皝閮介獋錛岄獋鐨囧笣鍜屾暀涓伙紝楠傝帋澹瘮浜氬拰灝奸噰錛岄獋鍓嶈緢璧皵宀戯紝楠傝佹湅鍙嬪睜鏍兼秴澶紝褰撶劧錛屼篃楠備粬鑷繁錛涘凹閲囩殑鍜掗獋鍒欐寚鍚戞暣涓熀鐫f暀涓栫晫錛屼粬璇達(dá)紝澶╀笅鍙湁涓浣嶅熀鐫e緬錛岄偅灝辨槸鑰剁ǎ錛岃屸滆剁ǎ鏁欌濇槸涓ゅ崈騫存潵嬈ф床鏈澶х殑鏀挎不鈥︹﹀湪涓浗錛屽簲璇ヤ負(fù)娓╂煍鏁﹀帤鐨勮壇浜轟滑緙栦竴鍐屼笘鐣屾枃璞獋浜哄彶錛岃櫧鐒跺叏涓栫晫娌℃湁涓涓浗瀹跺彂鐢熻繃鏂囬潻錛岄偅鏍蜂漢鏁翠漢銆?/p>
榪欑浜烘暣浜虹殑鎭朵範(fàn)銆佹ā寮忋佽瘽璇柟寮忥紝鍦ㄤ笁鍗佸勾浠g殑宸︾考鍐呴儴宸茬粡鍙戦毦錛屾垚涓轟簲鍥涚櫨瀹朵簤楦g殑寮傚寲銆傚叓鍗佸勾浠e嚭鐗堜簡椴佽繀璁烘晫楠傞瞾榪呯殑澶ч儴澶村彶鏂欙紝涔?jié)鍗侐q翠唬鏈変竴閮ㄤ功鍙仛銆婇瞾榪咃細(xì)鏈琚薄钄戠殑浜恒嬶紝鍘嗗巻涓捐瘉椴佽繀琚癌楠傝鍥存敾鐨勫彶瀹炪傝繖閲屼粎涓句竴渚嬶紝鍗沖湪鏂頒腑鍥芥枃鑹虹墝鍧婁腑浠呮浜庨瞾榪呯殑閮搏鑻ュ悓蹇楋紝鍗蟲浘鍏劧瀹e垽椴佽繀涓衡滃弻閲嶇殑灝佸緩浣欏鈥濄傚綋閮悓蹇楀嚭鍙e畾緗墠錛屼粬鑷О鍑犱箮涓嶈椴佽繀鐨勪功銆?/p>
鍏跺洓錛屾庢牱鐪嬪緟椴佽繀璁ゅ悓鈥滄棤浜ч樁綰т笓鏀庫濓紵鏄殑錛屾垜浠繖浠d漢閮芥槸鈥滄棤浜ч樁綰т笓鏀庫濈殑瀛愭皯銆備絾涓嶈寮勯敊錛氫粠鍏竷鍗佸勾浠g殑銆婄孩鏃椼嬫潅蹇楁垨銆婁漢姘戞棩鎶ャ嬮氭爮鏍囬璇誨埌鈥滄棤浜ч樁綰т笓鏀庫濊繖鍙ヨ瘽錛屽拰浜屼笁鍗佸勾浠e湪縐樺瘑涔﹀垔浠ュ強(qiáng)鏂囦漢鍐欎綔涓鍒板悓涓鍙ヨ瘽錛屾槸涓ょ璇繪硶錛屼袱縐嶅悗鏋滐紝涓ゅ洖浜嬨傛槸鐨勶紝椴佽繀鏇炬槸宸︾考闃佃惀鐨勫ぇ灝嗏斺斿湪浠栫殑鏃朵唬錛屼笘鐣岃寖鍥存縺榪涚煡璇嗗垎瀛愬拰鑹烘湳瀹跺崄涔嬩竷鍏夋嫨宸︾考绔嬪満錛岃濡傛硶鍥戒漢鏂囦漢闃挎媺璐°佽タ鐝墮鐢誨姣曞姞绱€佹剰澶у埄瀵兼紨甯曠儲閲屽凹銆佸郊寰烽瞾榻愮瓑絳夛紝涓嶄粎宸﹀撅紝鑰屼笖鏄噯鍏變駭鍏氬憳鈥斺斿綋鈥滃弻閲嶅皝寤轟綑瀛解濋瞾榪呭厛鐢熸櫄鏈熼潬鎷㈠乏緲鹼紝妯″啓鈥滄棤浜ч樁綰т笓鏀庫濊繖鍙ヨ瘽錛屼笉鏄嚭浜庢斂娌諱俊浠幫紝鑰屾槸鍐嶄笁鐩嚮鈥滄棤浜ч樁綰р濋潚騫磋倽鑴戞秱鍦幫紝琚灙姣欍備絾鍙?qiáng)鏃╅亾鐮村乏缈煎唴閮ㄧ殑铏氫吉銆佺嫛璇堛侀湼閬撱佹祬钖勶紝鍚屾牱涔熸槸椴佽繀銆備負(fù)浠涔堝憿錛?/p>
鍥犱負(fù)鍏朵簲錛岄瞾榪呪滃悜鏉ヤ笉鎲氫互鏈鍧忕殑鎭舵剰鎻f祴涓浗浜衡濃斺旇繖鍙ヨ瘽灞呯劧鈥滃姪闀夸簡涓浗浜虹殑鎭垛濓紝涓斾笉璇存璇濋氫笉閫氾紝榪欐槸浠涔堥昏緫錛熻帿闈炴鍚庤嚦浠婇亶涓浗婊旀粩涓嶇粷鐨勬伓浜轟滑鍦ㄤ綔鎭朵箣鍓嶏紝閮芥浘璇鋒暀榪囬瞾榪呯殑钁椾綔涔堚斺旀伓鎰忥紝鍒嗕袱縐嶏紝涓縐嶆槸鑷煡鍏舵伓錛屼竴縐嶇珶鍑轟簬鎵璋撯滃杽鎰忊濓紝鑻ユ槸浠婂ぉ榪樻湁涓浗浜轟互榪欐牱鐨勨滃杽鎰忊濆幓璐i毦椴佽繀錛岃繖鍠勬剰錛屽湪鎴戠湅鏉ュ氨鏄崄瓚崇殑鎭舵剰銆?/p>
涓嶈繃浠ヤ笂鐨勯棶錛屼互涓婄殑絳旓紝閮芥剼锠紝閭f槸涓絎旂幇浠d腑鍥芥槸闈炶鐨勭硦娑傚笎錛屾槸涓嶅間竴璋堢殑甯歌瘑闂銆傚彲璧勮瀹炲鐓х殑鏄瞾榪呮椂浠d笌鎴戜滑鏃朵唬鐨勫樊寮傦紝榪欏樊寮傦紝鎵嶆槸榪樺師椴佽繀鐪熸鐨勯毦澶勩?br />
錛堝洓錛?/p>
浠ヤ笅綺楃暐鎺掑垪涓緇勬椂浠h儗鏅佺ぞ浼?xì)鎸囨爣涓庢枃鍖栧舰鎬侊紝鍊熶互鎻愰啋鎴戜滑涓轟粈涔堥毦浠ヨ繕鍘熼瞾榪呫?/p>
椴佽繀闈掑皯騫存椂鏈燂紝涓浗鏈夊ぇ娓呮斂搴滐紝鏈夊悍姊佷貢鍏氾紝鏈夊瓩涓北闈╁懡闆嗗洟錛屾湁鏃犳暟姘戦棿闆嗙ぞ錛屾湁鍒楀浗鐨勬畺姘戝湴銆傞瞾榪呭.騫存椂鏈燂紝鍖楁柟鏄啗闃鏀垮簻錛屽崡鏂規(guī)槸鍥芥皯鏀垮簻錛屾睙瑗挎槸鑻忕淮鍩冩斂搴滐紱鑰屽啗闃鍦ㄥ悇鐪佹嵁鏈夊娍鍔涳紝鍥芥皯鏀垮簻鏇懼垎涓哄畞姹夋斂搴滐紝璁稿鐪佷喚榪樿鏈夎嫃緇村焹鍦頒笅鏀垮簻銆傚埌浜嗛瞾榪呯殑涓湡涓庢櫄鏈燂紝涓浗綺楃矖緇熶竴錛屼絾浠嶆湁鍗椾含鏀垮簻涓庡歡瀹夋斂搴滐紝鎶楁垬鏃舵湡榪樻湁鍗椾含浼斂搴滀笌閲嶅簡鍥芥皯鏀垮簻錛涜屽湪椴佽繀灞呬綇鐨勪笂嫻鳳紝鏈夋棩縐熺晫涓庢硶縐熺晫銆?/p>
椴佽繀鍦ㄥ寳浜帵闂ㄥ箍宸炰笂嫻鋒椂鏈燂紝瀛︾晫鏈夊墠娓呴仐鑰侊紝鏈夊悇鐪佸鍎掞紝鏈夌暀鏃ユ淳錛岀暀鑻辨淳錛岀暀緹庢淳錛岀暀寰鋒淳絳夌瓑錛岃繖浜涙搗榫熸淳涓庝粖鏃ョ殑嫻烽緹媧句笉鍙悓鏃ヨ岃錛屽悇鏈夌湡姝g殑瀛︽淳銆佷富寮犲拰鍔垮姏銆傛斂娌繪祦媧撅紝鍒欏厛鍚庡嚭鐜拌繃鍚涗富绔嬪媧撅紝鍏卞拰媧撅紝淇濈殗媧撅紝涓夋皯涓諱箟錛屽叡浜т富涔夛紝璧勬湰涓諱箟錛岃嚜鐢變富涔夛紝娉曡タ鏂富涔夛紝姘戞棌涓諱箟錛岃繕鏈夋棤鏀垮簻涓諱箟鈥斺斿湪搴у勾杞諱漢鍙兘涓嶇煡閬擄紝鈥滃反閲戔濈殑絎斿悕錛屽氨鏄彇涓や綅嬈ф床鏃犳斂搴滀富涔夎呯殑涓枃璇戝悕錛氬反搴撳畞鍜屽厠椴佹場鐗歸噾錛屼粬姣旈瞾榪呰皥璁衡滄棤浜ч樁綰т笓鏀庫濊繕?gòu)葊榪涳紝灞呯劧鍏紑欏剁潃鏃犳斂搴滀富涔夎呯殑鍚嶏紝媧諱簡涓鐧懼宀佲斺旀渶榪戜腑澶數(shù)瑙嗗彴鏂伴椈棰戦亾涓鎸¤妭鐩繕鍏竷浜嗗彶鏂欙細(xì)铏界劧鏄欒姳涓鐜幫紝褰㈠悓鍎挎垙錛屼絾涓婁笘綰簩鍗佸勾浠e墠鍚庯紝涓浗鐨勬斂鍏氬嚭鐜拌繃涓婄櫨涓?/p>
椴佽繀鐨勫悓瀛︺佹垬鍙嬨佽鏁岋紝鏈夌殑鏄浗姘戝厷瑕佷漢錛屽钄″厓鍩瑰拰闄堜華錛涙湁鐨勬槸鍏變駭鍏氳浜猴紝濡傞檲鐙涓庣灴縐嬬櫧錛涙湁鐨勬棦鏄浗姘戝厷鍛樺張鏄叡浜у厷鍛橈紝濡傞儹娌嫢涓庣敯姹夛紝鏈夌殑鏃㈡槸瀛﹁呮暀鎺堝張鏄厷鍥介噸鑷o紝濡傝儭閫備箣錛涘綋鐒訛紝鑷篃鏈夎澶氭棤鍏氭棤媧劇殑鏂囦漢銆傛暀縐戜功鎬繪槸鍑告樉椴佽繀騫磋交鏈嬪弸涓殑宸︾考浜哄+涓庡叡浜у厷浜猴紝瀵熺湅椴佽繀閫氫俊鐨勬湅鍙嬶紝鍗存湁鍥芥皯鍏氬啗浜哄浠栨牸澶栨漢鐖辯殑鏉庣涓紱鏈夐瞾榪呬負(fù)涔嬭皨鑱岋紝瑙f斁鍚庤闀囧帇鐨勫浗姘戞斂搴滃幙瀹樺鑽嗘湁椹庯紱涔熸湁鍏堝乏鍚庡彸鐨勯潚騫達(dá)紝濡傞夋嫨鍙版咕鐨勫彴闈欏啘銆傞瞾榪呬笌濂藉嚑浣嶅乏緲煎皬闈掑勾浠庝翰鏄靛埌緇濅氦錛屼絾涓庡浗姘戝厷鍐涙斂鐣屾垨鍙崇考灝忔湅鍙嬪弽鍊掓湭鏈夐椆緲葷殑璁拌澆銆傞瞾榪呯殑澶栧浗鍙嬩漢錛屽垯鏈変縿鍥芥病钀借瘲浜虹埍緗楀厛鐝傦紝鏈夌編鍥藉乏緲煎皬瀛愬彶娌幈鐗逛笌鏂錛岃屽唴灞卞畬閫犱笌澧炵敯娑夌瓑絳夋棩鏈弸浜猴紝闈炲乏闈炲彸錛屽茍娌℃湁鏀挎不鑹插僵銆?/p>
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錛堜簲錛?/p>
鎵浠ュ懆浠ら鍔ㄩ棶鈥滈瞾榪呮槸璋佲濓紝椴佽繀鎬曚篃寮勪笉娓呪滀護(hù)椋炴槸璋侊紵鈥濃斺斾護(hù)椋炰笌鎴戝悓宀佸悓灞婏紝鎴戜竴瑙佷粬錛岄櫎浜嗗ご鍗佺閽熸儕鍠滐紝鏃嬪嵆鍙戠幇浠栨槸鎴戠殑鍝綅涓鍚屽銆傛垜鍦ㄤ粬鑴鎬笂鎼滃椴佽繀錛岀粨鏋滆鍒版墍鏈夎佺煡闈掔殑蹇冪悊涓庣敓鐞嗗瘑鐮侊細(xì)鍗佸叚宀佹垜涓嬩埂钀芥埛錛屽湪璧e崡闆朵笂鍥涘崄搴︾殑閰鋒殤涓壊姘寸ɑ錛涗粬鍗佸叚宀佸綋鍏碉紝鍦ㄤ笢鍖楅浂涓嬪洓鍗佸害鐨勪弗瀵掍腑绔欏矖錛涘叓鍗佸勾浠f垜鍘諱簡綰界害錛屼粬鍘諱簡涓滀含錛涘湪鍙版咕錛屾垜鏈変竴浣嶇埛鐖鳳紝浠栨湁涓浣嶅お澶紝褰撳垵浠栦咯鍦ㄤ笢浜悜涓浗澶т嬌棣嗕笌鍙版咕鍔炰簨澶勭敵鎶ュ濮伙紝涓よ竟鐨勫畼鍛樺潎涓嶆暍浣滀富鎴愬叏榪欏鏀挎不楦抽腐鈥︹﹀弽姝d護(hù)椋炲悓蹇楃殑鎴愰暱涓庝粬紲栫埗娌℃湁浠諱綍鐩鎬技涔嬬偣錛屽嵈鍜屾垜鍑哄鍦扮浉浼箋?/p>
鎴戜篃瑙佸埌浠ら鐨勭埜鐖搞傚涔堢啛鎮(zhèn)夌殑鑰佷笂嫻蜂漢銆傚湪浠栫殑鍥炲繂褰曚腑錛岃騫垮鉤鍏堢敓鏅氬勾緇忓巻浜嗘墍鏈夊浗瀹墮珮騫茬殑鎮(zhèn)插枩鍓э紝閭f槸鐢變漢浜嬪銆佹埧綆℃墍銆佷腑澶瀵箋佷互鍙?qiáng)鍘嗗眾杩愬姩缂栧啓鐨勬洸鎶樺墽鎯呫傚亣濡傞瞾榪呭厛鐢熷崐澶滄暡闂ㄥ洖瀹訛紝嫻峰┐姣嶅瓙蹇呴』鑺辮垂鏃犳暟鍙h垖鎵嶈兘浣塊瞾榪呭惉鏄庣櫧鈥斺斿彧鏈変竴閮ㄥ垎鏁呬簨鏃╁凡涓洪瞾榪呮墍鐔熸?zhèn)夊Q岄偅灝辨槸宸︾考鍒嗗瓙鐨勪笂綰蹭笂綰褲佸紕鏉冩暣浜恒備絾浠栫粷瀵規(guī)兂涓嶅埌褰撳勾宸︾考灝忓湀瀛愮殑鏆存埦錛屾棩鍚庣珶鎵╁ぇ涓虹宸炲ぇ鍦版暟鍗佸勾鏂椾簤鐢熸椿錛屽叾涓紝鍗曟槸鈥滄皵瀹囪僵鏄傗濈殑宸﹁仈鈥滃厓甯呪濆懆鏉ㄥ悓蹇楀綋浜嗘枃鍖栭儴闀匡紝鍏崄騫翠唬鍙堥伃鎶ュ簲鐨勪釜妗堬紝灝變細(xì)浣夸粬澶у紑鐪肩晫銆?/p>
榪欏氨鏄瞾榪呭喅瀹氭嫰鏁戠殑瀛╁瓙浠傝皟鍔ㄤ粬騫崇敓鎵鏈夌粡楠岋紝浠栦篃寮勪笉娓呰繖浜涘瀛愮帺寰楁槸浠涔堟妸鎴忋?/p>
涓冨崄騫村巻鍙詫紝鏄垜浠笌椴佽繀鎴愪負(fù)褰兼鐨勫紓綾葷殑鍘嗗彶銆備粖澶╀笉璁烘庢牱璋堣椴佽繀銆侀槄璇婚瞾榪咃紝鎴戜滑鐨勬劅鐭ョ郴緇熸垨鐮旂┒鎵嬫錛屽叾瀹為兘寰堥毦鐪熺殑濂忔晥銆傚湪鎴戜滑鐨勪笂涓嬪懆鍥達(dá)紝椴佽繀閭f牱鐨勭墿縐嶇伃緇濅簡鈥斺斿矀姝㈡槸浠栵紝浼熷ぇ鐨勬棭鏈熷浗姘戝厷浜猴紝浼熷ぇ鐨勬棭鏈熷叡浜у厷浜猴紝浼熷ぇ鐨勯潻鍛借呬笌鍚挋鑰呬竴浠o紝鍦ㄤ粖澶╃殑浜虹兢涓庝漢鏍肩被鍨嬩腑錛屾秷澶卞噣灝解斺旇屽湪椴佽繀鐨勬椂浠o紝榪欎簺浜轟笉璁轟負(fù)鏁屼負(fù)鍙嬨佷負(fù)瀹樹負(fù)鍖紝浣嗕粬浠殑浼︾悊閬撳痙琛鑴夋暀鍏伙紝涓釜璺ㄨ秺鍞愬畫錛屼笂婧厛縐︼紝鍚屾椂錛屼粬浠槸涓浗絎竴浠d笘鐣屼富涔夎咃紝絎竴浠g幇浠f皯鏃忎富涔夎咃紝絎竴浠f柊鍨嬬殑鏂囧寲綺捐嫳鍜屾斂娌葷簿鑻便?/p>
鎴栨洶錛岄毦閬撴椂浠f病鏈夎繘姝ュ悧錛熷ぇ澶ц繘姝ヤ簡銆傗滈潻鍛藉墠杈堢殑椴滆宀傝兘鐧芥祦錛佲濇垜鐩鎬俊璇鎬綅涓嶄細(xì)璇В鎴戝湪澶稿ぇ榪囧幓錛岃船浣庝粖澶┿備簨鐗╀笌浜虹墿闇瑕佹瘮杈冿紝鑷沖皯錛屼竴涓墿璐ㄧ殑鐜頒唬鍖栦腑鍥借凍浣塊瞾榪呯洰鐬彛鍛嗏斺旈瞾榪呮棭騫村湪鍖楀鉤絀跨潃鍗曡¥榪囧啲錛屾棤緙樹韓鍙楃┖璋冿紱椴佽繀鍧愯濺鏈夋劅浜庨亾璺綈革紝鏃犵紭椹伴獘楂橀熷叕璺紱浠栦富寮犳姏寮冩瘺絎旓紝鍙湭鏇炬ⅵ瑙佺數(shù)鑴戯紱浠栨櫄宀佹敹钘忎笉灝戙婁笘鐣岃8浣撶編鏈叏闆嗐嬶紝鍙儨鐪嬩笉鍒頒粖鏃ョ殑瓚呯煭瑁欌︹︿竴涓環(huán)鍊艱糠澶辯殑涓浗涔熻凍浣塊瞾榪呬笌浠栫殑鏁屽弸鍝戝彛鏃犺█銆備笉榪囦粬鏃╃粡棰勫厛緇濇湜榪囦簡錛屽ソ鍍忕煡閬撳皢瑕佽涓嶅嚭鏈潵鐨勪腑鍥斤紝浠栬榪囷紝鏈潵鏄潫錛屽潫鐨勬湭鏉ワ紝鏃犻潪鏄韙忓鉤銆?/p>
瑗挎柟浜虹墿鐨勮韓鍚庡懡榪愭庢牱鍛紵璀錛屽惎钂欒繍鍔ㄧ‘瀹炲閫犱簡浠婃棩瑗挎柟錛屽凹閲囨灉鐒舵爣涓句簡鏂板瀷鐭ヨ瘑綺捐嫳鐨勭珛鍦猴紝椹厠鎬濆ぇ澶ч瑕嗕簡璧勬湰涓諱箟銆傜劧鍚庯紝鍚挋鍏堣搐銆佸凹閲囧璇淬侀┈鍏嬫濅富涔変笉鏂鍚庝唬灞曞紑銆佽拷闂紝騫舵寔緇秴瓚娿傚綋鏉庣淮路鏂壒鍔蟲柉鎬鐤戞櫄杈堢鏌垨寰烽噷杈劇殑瀛﹁鏃訛紝浠栫煡閬撳鎱庤屽噯紜湴鐢ㄨ瘝錛涘反鐗瑰皵鍑洪亾涔嬩功銆婂啓浣滅殑闆跺害銆嬫棬鍦ㄤ笌闀胯緢钀ㄧ壒杈╅毦錛岃屼粬鏈鍚庤憲浣溿婃槑瀹ゃ嬬殑鎵夐〉錛岄鍐欌滃悜钀ㄧ壒鐨勬兂璞¤嚧鏁濃︹﹀崄鍊嶇櫨鍊嶄簬椴佽繀鑰楀敖蹇冩櫤鐨勬枃鍖栬鎴橈紝鍦ㄨタ鏂逛粠鏈仠姝紝閭g嬋鐑堛佹繁搴︺佷笉鑻熷悓錛屽挨鍏舵槸涓板瘜鐨勫緩鏍?wèi)锛寴q滆繙瓚呰繃椴佽繀涓庝粬鐨勬晫鍙嬨傚湪瑗挎柟錛屾枃浜轟粠鏈鎵撳掞紝鑰屾槸琚川鐤戯紱浠庢湭琚鍖栵紝鑰屾槸琚邯蹇碉紱浠庢湭琚灦絀猴紝鑰屾槸瀹炲疄鍦ㄥ湪鍦拌璇曞浘鐞嗚В銆佽鎸佺畫鐮旂┒銆傛垜鎵浜茶鐨勮タ鏂逛漢璋堣搗鍏堣搐涓庡摬浜猴紝騫朵笉澶ф儕灝忔紝鍙槸騫抽潤鑰岃瘹鎭崇殑灝婃暚銆?/p>
鎴戜滑鍙湁涓浣嶉瞾榪呫傚綋鎴戜滑榪欎唬浜鴻綰靛闃呰椴佽繀鍙?qiáng)涓嶅噯闃呰鑳¢傦紝涔冨嚭浜庡悓涓鐨勫師鐢卞拰鎬ц川銆傝岄瞾榪呮鍚庯紝浠栫殑浠峰艱拷姹備究琚垚鍔熷湴紿掓伅錛氭垨鑰呭壊瑁傘佹垨鑰呮鏇詫紝浼戞兂緇х畫浼犻掋佹彁鍗囥佸睍寮銆備粬鐨勫ぇ鍗婂懡棰樺湪浠婃棩涓浗榪滄湭榪囨椂錛屽嵈琚揩鍋滃湪榪囧幓鏃躲傚悓鏃訛紝閭d喚鏀挎不鍖栫殑椴佽繀閬椾駭浠ヤ笉鍙姉鎷掔殑鏂瑰紡鐏岃緭鑷充粖錛岀湅涓嶅嚭鍋滄鐨勮抗璞♀斺斿湪涓浗錛岄瞾榪呭拰椹厠鎬濆悇鏈夊垎宸ワ細(xì)椴佽繀涓撻棬璐熻矗璇呭拻涓囨伓鐨勬棫涓浗錛岄┈鍏嬫濅笓闂ㄨ礋璐h瘉鏄庣ぞ浼?xì)涓讳箟鐨勫繀鐒舵с傝屼粖鈥滀笌鏃朵勘榪涒濈殑鍥芥儏鍙堝皢椴佽繀鍜岄┈鍏嬫濈殑鑴告秱寰楀張綰㈠張鐧斤紝浠栦滑浠嶇劧琚闆墮浂鍚婂湪涓浗鐜頒唬鍙蹭笂絀猴紝鏃㈠綋鍦d漢錛屽張鍋氭伓浜猴細(xì)涓嶆槸鍚楋紵浠婃棩鍗冨崈涓囦竾涓鐢熷ぇ瀛︾敓瀵歸┈鍏嬫濇垨椴佽繀鏁岃繙涔嬶紝鍙堜笉寰椾笉涓庝箣鍛ㄦ棆錛氫粬浠勾騫村繀欏昏儗璇甸┈鍏嬫濇暀鏉★紙淇楃О鈥滈┈姒傗濓級浠ヤ究閫氳繃鏀挎不鑰冭瘯錛屽張騫村勾琚揩闃呰椴佽繀騫朵功鍐欒鍚庢劅銆備粈涔堟槸椹厠鎬濅富涔夛紵椴佽繀鏈夊摢浜涗環(huán)鍊鹼紵瀛╁瓙浠牴鏈笉鍦ㄤ箮銆傚湪浠婃棩鐭ヨ瘑璋辯郴涓紝椹厠鎬濅笌椴佽繀琚噸瑙嗙殑紼嬪害鏄崐涓栫邯浠ユ潵鏈浣庣偣錛岄櫎浜嗗眻灝辮屽帉鐑︼紝騫磋交浜哄浠栦滑娌℃湁灝婃暚錛屾病鏈夌埍銆?/p>
榪欎篃鏄負(fù)浠涔堢淮鎶ゆ垨璐ㄧ枒椴佽繀鐨勭縐嶇誕鍙紝鍧囬毦鍙戠敓鐪熺殑褰卞搷鍜岃鏈嶅姏銆傛垜浠棦闅炬秷闄ら瞾榪咃紝涔熼毦浠ユ尳鏁戜粬錛屼粬鍦ㄦ垜浠涓嶇潃鐨勬煇澶勶紝浠栫敋鑷充笉灞炰簬鑷繁鐨勮浜詫細(xì)褰撳懆浠ら闂亾鈥滈瞾榪呮槸璋侊紵鈥濇垜鐚滄兂錛屼粬鎰挎剰寮鴻皟鐨勮韓浠藉茍闈炰粎浠呭洜涓轟粬鏄瞾榪呯殑瀛欏効銆備粬涓庣埗浜插湪瀹墮噷鎻愯搗紲栫埗錛屾亹鎬曚笉甯哥О涔嬩負(fù)鈥滅埜鐖糕濄佲滅埛鐖封濓紝鑰屾槸鐩村懠鈥滈瞾榪呪濓紝姝h薄涓冨崄騫村墠鍛ㄤ綔浜烘寚鐫鑷繁濡堝璇達(dá)細(xì)鈥滆繖鏄瞾榪呯殑姣嶄翰銆傗?/p>
璇存潵涓嶄粎鏄護(hù)椋炵殑紲栫埗錛屼簲鍥涘墠鍚庣殑閲嶈浜虹墿閮借鏋剁┖浜嗐佷綔搴熶簡錛氭鍚秴銆佸瓩涓北銆佽敗鍏冨煿銆佽儭閫傘侀檲鐙銆佹婕辨簾銆侀┈瀵呭垵鈥︹﹁繖浠藉悕鍗曢《澶氳繘鍏ュ鏈爺絀訛紝涓嶅啀鍙戠敓娓╃儹錛屾姇灝勫厜鑺掋備粬浠殑鍛借繍妯″紡鏄繖鏍風(fēng)殑錛氬厛鏄け璐ョ殑鍘嗗彶鑻遍泟錛屾帴鐫錛岀┖鐣欒嫳闆勪箣鍚嶈岄伃閬囧巻鍙叉уけ璐ャ?/p>
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