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聽聽聽聽聽聽聽聽聽"OpenAL宸茬粡琚瘉鏄庢槸銆婇緳涓庡湴涓嬪煄Online錛氶鏆存潵涓淬嬫渶濂界殑閫夋嫨銆傚畠鎵甯︽潵鐨勯煶棰戞ц兘鍜屾父鎴忎腑鐨勫０闊沖搧璐ㄦ槸閭ｄ箞濡欎笉鍙█錛岀敱EAX寮曟搸鎻愪緵闅句互緗俊鐨勯煶鍝嶆晥鏋滐紝灝ゅ叾鍗拌薄娣卞埢鐨勬槸鍦ㄥ湴鐗腑鐨勫洖鍝嶏紝"銆婇緳涓庡湴涓嬪煄Online銆嬬殑鍒朵綔鍏徃Turbine鐨勯煶棰?amp;瑙嗛涓葷Geoff Scott榪欐牱褰㈠錛?瀵規垜浠潵璇碠penAL鐨勯煶棰戠‖浠舵彁渚涗簡瀵筗indows Vista緋葷粺鐨勬敮鎸佹槸涓ソ娑堟伅錛岃繖鎰忓懗鐫鎴戜滑鍙互鍦ㄦ湭鏉ョ殑寰堥暱涓孌墊椂闂寸戶緇疄鐜版父鎴忎腑榪欎簺楂樺搧璐ㄧ殑闊抽鏁堟灉銆?
"瑕佷負鐢ㄦ埛甯︽潵鏈涓嶅彲鎬濊鍜屾渶浠や漢闅懼繕鐨凱C娓告垙浣撻獙鐨勬渶浣蟲柟娉曚箣涓灝辨槸鍏ㄥ姏鍒涘緩涓涓畬鍏ㄧ湡瀹炵殑3D闊抽鐜錛?钁楀悕鐨勭涓浜虹О娓告垙寮鍙戝叕鍙窰uman Head Studios鐨勯煶棰戜富綆d Lima璇達紝"涓轟簡鏋勫緩鐨勫揩閫燂紝綆渚垮拰鏈夋晥錛屼互鍙婅冭檻鍒板Windows XP鍜屽叾鍚庣畫鐨刅ista緋葷粺鐨勬敮鎸侊紝鎴戜滑閫夋嫨鍘誨厖鍒嗗埄鐢⊿ound Blaster X-Fi寮哄ぇ鐨勯煶棰戞ц兘鍦ㄣ婃帬椋熴嬩腑銆傛垜浠緢楂樺叴綆渚跨殑OpenAL鍙互鎻愪緵鐩存帴閫氳礬鍒扮‖浠訛紝鍦ㄥ０鍗′笂灝卞疄鐜伴煶棰戝姞閫熴侽penAL鍏佽鎴戜滑鍦ㄤ袱縐嶆搷浣滅郴緇熶嬌鐢ㄧ浉鍚岀殑闊抽浠ｇ爜錛屾父鎴忎腑鐨勯煶棰戣璁″拰瀹炵幇鐨勮繃紼嬫槸濡傛綆鍗曟柟渚褲傚洜姝わ紝Human Head鍙互淇濊瘉涓や釜騫沖彴鐨勬父鎴忕帺瀹墮兘鍙互鍏呭垎浜彈閭ｉ渿鎾艱岃糠浜虹殑闊抽浣撻獙錛屾垜浠殑銆婃帬椋熴嬪氨鏄繖涔堝仛鍑烘潵鐨勩?
Sound Blaster X-Fi瀹舵棌緋誨垪澹板崱浣塊煶棰戝鐞嗕笌PC鐨勪腑澶鐞嗗櫒鍒嗙錛屼粠鑰屽緱鍒版洿蹇殑紜歡鍔犻熷害銆備緷闈犺繖浜涢澶栫殑CPU澶勭悊鑳藉姏錛岀敤鎴峰彲浠ユ劅瑙夊埌甯ч熺巼鐨勬彁楂樸傚彟澶栵紝紜歡鍔犻熷彲浠ュ湪娓告垙涓甫鏉ユ洿澶ц寖鍥寸殑綺劇‘鐨?D澹伴煶瀹氫綅銆傛棤璁虹敤鎴鋒槸閫夋嫨鑰蟲満榪樻槸鐜粫闊崇緋葷粺錛岀‖浠跺姞閫熼兘鍙互甯︽潵鍑鴻壊閫肩湡鐨勯珮鍝佽川3D鏁堟灉銆?/p>
OpenAL 1.1錛屼竴涓彲鍗囩駭鐨勫厤璐瑰簲鐢ㄧ▼搴忔帴鍙ｃ侽penAL錛屽皢鏈変笁涓富瑕佺殑鏀硅繘瓚呰繃褰撳墠鐨勭増鏈細闊抽褰曞埗鍔熻兘涓虹敤鎴鋒彁渚涘甫娓告垙闊蟲晥鐨勮闊寵亰澶╋紱鍙︿竴涓壒鐐規槸鍏佽寮鍙戝伐紼嬪笀鍑鴻壊鐨勬帶鍒墮煶棰戞挱鏀撅紱鍐嶆湁灝辨槸鍏佽寮鍙戝伐紼嬪笀淇濆瓨浠栦滑鑷畾涔夌殑闊抽寮曟搸銆?/p>
These days' games are coming alive! The latest graphic technologies can make what you see so realistic that your monitor becomes a window to another world! Unfortunately that's where the realism ends because many gamers are missing out on the most important aspect of any experience whether it's gaming or even music or movies; the audio! People spend thousands on their home music and movie systems and will go to a cinema to watch a movie. Why? Because they want the best audio experience possible. Great audio can turn an average moment in a movie into a thrilling or chilling experience and can make the hairs on the back of your neck stand up straight! Try it yourself. Play your favourite movie scene and turn the volume off or down and it loses all its appeal. The best game developers know this and they hire the best game audio engineers in the world to make sure you get the maximum enjoyment from their game. And More and more game developers use EAX ADVANCED HD to raise the gaming realism bar to an entirely new level. Hear what they have to say about EAX ADVANCED HD.
Developer Interviews:
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// 闃挎潵鐐硅瘎錛氬搸鍛錛岃繖涔堝澶т綔閮界敤EAX鍟婏紵閭ｃ婂法浜恒嬭繕鏈変粈涔堢悊鐢辨嫆緇濆憿錛熸垜涓轟粈涔堜笉緇欏ス璧嬩簣榪欎釜鍔ㄤ漢涔嬪鍛紵
// 浠庣幇鍦ㄨ搗錛屾尋鏃墮棿鍑烘潵瀛﹁繖涓紒
閫変袱涓創榪欏効錛?br />
Exploring the Sounds of World of Warcraft
Discover how EAX廬 ADVANCED HD鈩?brings the enormous lands of Azeroth to life.
Interviewee: Shane Dabiri, Blizzard Entertainment
Interviewer: Liam Byrne, Creative Labs
璁插畬欖斿吔璁茬鍋鳳細Discover how EAX廬 ADVANCED HD鈩?brings the enormous lands of Azeroth to life.
Interviewee: Shane Dabiri, Blizzard Entertainment
Interviewer: Liam Byrne, Creative Labs
Developer: Blizzard Entertainment
Publisher: Blizzard Entertainment
Game Title: World of Warcraft廬
Q1. What was Blizzard's sound team's goal for audio in World of Warcraft?
Our goal was to create an epic aural experience. With the world so vast, detailed, and beautiful, it was the sound team's job to make sure the audio matched what the players were seeing on screen. By creating rich ambient loops and having beautiful composed symphonic music, we believe that goal was achieved.
Q2. How important is audio to the World of Warcraft experience?
Since World of Warcraft is almost completely based on random encounters, audio becomes extremely important for letting players know when they are being attacked. Each monster in World of Warcraft was carefully designed to have an identifiable sound that occurs when it attacks. Musical cues also warn players if they are entering a dangerous area. Audio plays a great deal of importance during the overall experience in World of Warcraft.
Q3. There are a ton of different sounds and music tracks in World of Warcraft, did you create all the content internally at Blizzard?
聽We are proud to say all of our music was created in-house.
Q4. Are there any certain creature sounds or effects that are your favorite?
I would say the Dragon and the Murloc are among the two favorites in the office. Among the World of Warcraft community, the Murlocs have become the star sound byte used by many of our fan sites. As for the Dragon, we recorded a fellow co-worker and processed the sound to create one of our best-sounding creatures in the game.
Stealthy Sounds in Thief: Deadly Shadows鈩?/font>
Discover how EAX廬 4.0 ADVANCED HD鈩?helped create the cutting edge stealth experience in Thief: Deadly Shadows.
Interviewees:Todd Simmons & Mark Lampert, Audio Designers at Ion Storm
Developer: Ion Storm
Publisher: Eidos
Game Title: Thief:Deadly Shadows鈩?br />
Q1. What other games have you worked on in the past and what was your role in Thief: Deadly Shadows?
Mark: Deus Ex: Invisible War (2003)
--My part on Thief: Deadly Shadows involved sound design and music for several cinematics, as well as creating a small portion of the in-game sounds. I also recorded and edited several of the voice actors, for both in-game and cinematic voices. Late in the project I assisted in assigning fellow sound designer Todd Simmons' EAX reverb presets to the levels.
Todd: Deus Ex: Invisible War
-- I provided additional audio support at the beginning and end of the project.I created sound effects and music for several cinematics, created a small number of in-game sound effects, and edited a number of voice files.Also, I created the EAX reverb presets and applied them to half the game maps.
Q2. How important is audio to Thief: Deadly Shadows and how does it factor into the game?
Mark: Audio in Thief: Deadly Shadows and the Thief series is an absolutely critical part of both game play and player immersion, as opposed to being more of a post-production aesthetic concern as might be typical elsewhere. This is true both for world sound effects and NPCs, as well as the speech of those NPCs. For example, the player must take care to move and act silently so as to attract little or no attention from the characters populating each level, which typically will be hostile towards you (seeing as how you're most likely there to steal something of theirs!).
Most players will find that they start to use their ears as a sort of radar to detect the sound of a guard's footsteps approaching from down a corridor, the movement of creatures, and especially to eavesdrop on NPC conversations in order to potentially gain some piece of useful information. Should the player step too loudly, knock over an object or use a loud weapon (e.g. a fire arrow) at an inopportune moment, guards or other hostile NPCs will detect this through the audio engine's propagation system, and will localize on the sound.
Primary sound designer and composer Eric Brosius (who fans will recognize as the man behind Thief's audio legacy with his work on Thief: The Dark Project, and Thief: The Metal Age) brings the player into the world of Thief with excellent sound effects and a rich bed of moody, ambient music. It's a game that makes its players turn off all the lights, crank the volume, lean towards the screen and get completely sucked into the experience.
Q3. The previous versions of Thief had a very advanced sound system. What is new in Thief: Deadly Shadows and what features were brought over to this version?
Mark: There are three main points in regard to audio engine enhancements and additions: First, the sound propagation system is far more robust, and by the player's experience will seem more accurate and true-to-life when listening for sounds or trying to maintain a low profile and not alert hostiles to their presence. Second, the use of Creative EAX 4.0 ADVANCED HD's multiple environments. Thief: Deadly Shadows provides a useful world for this technology in that the player often finds themselves hiding in a small passageway or around a corner while listening in to a conversation or monitoring other sounds from another room. Last, and possibly the most significant, is the addition of sound effects linked with the Havok physics system. Throwing objects to distract or mislead hostiles, knocking objects over (perhaps unintentionally!) and unexpected emergent situations all add to the sense of realism and player immersion.
Q4.What is your favorite sound effect in the game?
Mark: Speaking personally, my favorite sound effect is still the sound of Garrett drawing his bow. It's a sound that you tend to hear a great deal of and that is familiar to fans of the series, but it's the simplicity and implication of the sound that draws me to it (pun possibly intended). Typically it preceeds Garrett taking some thief-like action - extinguishing a torch with a water arrow, firing a noisemaker arrow down a hallway to attract guards away from an area that he must infiltrate, or for those who choose to use their freedom to do so, killing those guards with a good old-fashioned arrow through the head. To me, it's one of the signature sounds that let the player know, "I have the advantage of stealth, mastery of the situation, and the all-important element of surprise."
Todd: My favorite class of sound effects are the creepy ambiences.One that stands out in particular is hull creeking on the zombie ship.
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鎵緀ax sdk鐨勪笅杞藉眳鐒惰垂浜嗗ソ闀挎椂闂達紝 鐩存帴goole eax sdk涓嶅氨琛屼簡鍢涳紒
鍏抽敭鏄笉鐭ラ亾鏈塻dk錛屽搱鍝堬紒
聽聽聽聽聽聽聽 sdk, introduction, programmer's guide 閮借register浜嗘墠鑳界湅鍒幫紝姣涳紒娉ㄥ唽灝辨敞鍐屽惂錛岃繕瑕佸～涓浠絧df鏂囨。錛屽ソ鍍忚鐢ㄤ俊浠舵垨鑰呬紶鐪熷彂榪囧幓錛屽眳鐒朵笉璁╃敤emai錛?鎴戦潬錛佷及璁℃槸瑕佷繚瀵嗗惂錛屼笉鑳介殢渚夸粈涔堜漢閮借兘鐪嬪埌sdk,鎷垮埌鐨勪漢瑕侀伒瀹堜繚瀵嗗崗璁紒
鐪嬬湅榪欎釜鍚э紒
FAQ:
What is EAX?How do I get EAX into my game/application?Where can I find a comprehensive list of games that support EAX technology?聽
My game uses Miles, does that mean I can't use EAX (3.0 / 4.0)?聽
Is EAX a complete audio engine?What is EAX ADVANCED HD?聽
What is the difference between EAX ADVANCED HD and EAX 3.0/4.0/5.0?What is in the EAX SDK?Why can't I access / download the EAX 3.0/4.0/5.0 SDK?聽
What soundcards support EAX 3.0/4.0/5.0?What is EAX?How do I get EAX into my game/application?You may also wish to visit the Games > Legacy Technology section to browse through older versions of EAX.
Where can I find a comprehensive list of games that support EAX technology?My game uses Miles, does that mean I can't use EAX (3.0 / 4.0)?Is EAX a complete audio engine?What is EAX ADVANCED HD?What is the difference between EAX ADVANCED HD and EAX 3.0/4.0/5.0?What is in the EAX SDK?Why can't I access / download the EAX 3.0/4.0/5.0 SDK?If you would like to join the Digital Media Relations program and register your company, please navigate back to the home page, and click on the Register Now! button to download an application form.
If your company is already registered, but you do not have a login ID, please contact your account manager to request access.
What soundcards support EAX 3.0/4.0/5.0?EAX 5.0 is supported only by Creative's Sound Blaster X-Fi Series sound cards.
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銆銆1998騫?鏈堬紝鍒涙柊鍙戝竷浜嗗綋鏃舵渶涓哄己澶х殑Emu10k1闊抽澶勭悊鍣紝鍩轟簬榪欐鑺墖鐨凷ound Blaster Live錛佺郴鍒椾駭鍝佷竴鏃墮澶存棤浜岋紝涓珮绔煶棰戝競鍦轟篃浠庢琚垱鏂板叕鍙鎬竴瀹剁嫭澶э紝涔熶嬌闊抽鍘傚晢浠毦浠ユ彃瓚寵棰嗗煙銆?
鍦‥MU10K1 闊抽鑺墖寮哄ぇ澶勭悊鑳藉姏鐨勫熀紜涓嬶紝鍒涙柊鍏徃鎺ㄥ嚭浜嗚嚜瀹墮涓笁緇撮煶鏁堟妧鏈斺擡AX錛圗nvironmental Audio Extensions錛氱幆澧冮煶鏁堟墿灞曪級銆侲AX鐜闊蟲晥鎶鏈槸褰撴椂鍞竴涓涓彲涓嶢3D鐩告姉琛＄殑涓夌淮闊抽鎶鏈紝浣嗙敱浜庡悗鏉ュ偛閿愯鍒涙柊鏀惰喘錛孉3D鎶鏈渶緇堣鍒涙柊鍏徃闆棌銆?br />
EAX鐜闊蟲晥鎶鏈笉浣嗚兘鎶婂０闊沖彉鎹㈠悇縐嶅悇鏍風殑鐗規晥澹幫紝鑰屼笖榪樿兘鎶婃潵鑷狢D銆乂CD銆丮IDI銆乄AV鎴朚P3絳夌珛浣撳０闊蟲簮铏氭嫙涓哄澹伴亾鐜粫闊蟲晥銆傚彟澶栧畠鐨勫叏鏂逛綅闊抽瀹氫綅鎶鏈篃鏄竴緇濄傜幇鍦紝EAX鎶鏈凡緇忓崰鎹簡緇濆ぇ閮ㄤ喚娓告垙鐨勪笁緇撮煶棰戠郴緇熶簡銆?br />
灝辨妧鏈笂鑰岃█錛孍AX騫朵笉綆楁槸涓濂楃嫭绔嬬殑API錛岃屾槸寰蔣DirectSound API鐨勫姞寮哄姛鑳姐傚畠鍔犲叆浜嗕笁搴︾┖闂寸殑鍥炲０鏁堟灉錛岃兘澶熷弽搴斿嚭澹伴煶鍦ㄦ父鎴忕┖闂撮噷涓嶅悓鐜涓嬬殑鍙嶅皠琛ㄧ幇銆備婦渚嬭岃█錛屼竴澹板湪鎴峰鐨勬灙鍝嶏紝璺熷湪絀轟粨搴撻噷闈㈡垨鏄搧鐨眿閲屾墍鍚埌鐨勫０闊充究浼氭湁鎵涓嶅悓錛岃孍AX鎶鏈氨鏄負浜嗚櫄鎷熻繖浜涗笉鍚岀殑鐜闊蟲晥鑰屽紑鍙戠殑闊抽寮曟搸銆?
EAX鐨勯煶鏁堝湪浼楀API涓嫢鏈夋渶浣崇殑闊蟲晥琛ㄧ幇錛屼絾鍏跺湪娓告垙鐨勯煶鏁堝畾浣嶄腑錛屽緇堜笉鍙夾3D鎶鏈潵寰楅肩湡鑷劧錛屼篃姝ｅ洜涓鴻繖鏍鋒墠浣垮埌A3D鎶鏈嫢鏈夊騫跨殑鐢熷瓨絀洪棿錛屽嵆浣挎槸鍦ˋ3D琚敹璐殑鐜版椂錛屼粛鏈夊ぇ鎵圭殑鐥磋糠鎷ユ姢鑰呬嬌鐢ㄥ凡緇忔病鏈夊お澶氳蔣浠舵敮鎸佺殑A3D鎶鏈拰浜у搧銆?br />
EAX ADVANCED HD
闅忕潃鍒涙柊鍏徃涓嶆闈╂柊錛岀幇宸茬粡鎶奅AX寮鎴愪竴濂楀緢瀹屽杽3D闊抽瑙ｅ喅鏂規銆侲AX鐢卞師濮嬬殑1.0鐗堟湰鍙橀潻鍒?.0銆?.0鐗堟湰銆傚埌2001騫存椂鍊欙紝鍒涙柊鍦ㄦ帹鍑?Audigy鐨勫悓鏃訛紝鍙戝竷浜嗘柊鍥涗唬鐨?D闊抽鎶鏈斺擡AX ADVANCED HD銆傚湪EAX鍓嶄笁浠ｆ椂錛岄兘鍙槸鐫閲嶄簬鏅氶煶涔愰煶棰戝拰娓告垙闊抽涓紝浣嗗埌浜嗙鍥涗唬鐨凟AX ADVANCED HD錛屽垱鏂板紑濮嬫妸鍚勭鐨勫搴獎闄㈤煶鏁堟妧鏈鍏ヤ簡EAX鐜闊抽鎶鏈腑銆?br />
鍙戝睍鍒扮鍥涗唬鐨凟AX ADVANCED HD宸茬粡涓嶈兘璇村畠鏄竴涓狝PI浜嗭紝瀹冨凡緇忓彉鎴愪竴濂楀畬鏁寸殑闊蟲晥瑙ｅ喅鏂規銆傝繖濂楄В鍐蟲柟妗堜富瑕佺敱涓ゅぇ閮ㄥ垎緇勬垚錛屼竴鏄簲鐢ㄤ簬綰煶涔愬拰涓庡獎鍓ч櫌妯″紡鐩擱厤鐨凟AX Music錛涗簩鏄笓闂ㄥ簲鐢ㄤ簬涓夌淮娓告垙闊蟲晥寮曟搸涓殑EAX Gaming銆?br />
鍏朵腑EAX Music姣旇緝鐫閲嶄簬寮哄寲闊蟲晥鎾斁錛屼緥濡傝兘寮哄寲PC闊充箰涓殑浣庨煶鏁堟灉銆佸彲鑷畾涔夊枩濂界殑闊抽絳夊寲銆佸彲縐婚櫎涓鑸漿褰昅P3鏃舵墍浜х敓鐨勫櫔闊熾佽嚜鍔ㄨ瀹氫笉鍚屾洸鐩棿鐨勫悎瀹滈煶閲忋佸姞鍏ュ儚鏄墽闄㈠巺鐨勯煶鍦鴻嚦闊充箰涓瓑絳夈傝孍AX Gaming鍒欑潃閲嶄簬鍦ㄦ父鎴忎腑鐨勯煶棰戝畾浣嶅強鍚勭澹伴煶鐗規晥銆備笅闈㈡垜浠竴璧鋒潵鐪嬬湅涓よ呯敤浜庨煶涔愬拰娓告垙涓殑涓夌淮闊抽鎶鏈?br />
EAX Music
DREAM 姊﹀夠闊沖満錛圖ynamic Repositioning of Enhanced Audio & Music錛?br />DREAM 錛堝寮洪煶棰戜笌闊充箰鐨勫姩鎬侀噸瀹氫綅錛夊彲涓轟換浣曠珛浣撳０闊充箰钀ラ犱竴縐岲ISCO鑸炲巺姘涘洿鐨?D鐜粫澹版晥鏋溿侱REAM鎶鏈彲灝嗕換浣曠珛浣撳０闊充箰閫忚繃閫夋嫨鐨勯煶鏁堥鐜囧茍閲嶆柊鎸囧畾鍚勭鍚堥煶鏁堥鐜囩殑澹伴煶浜庡緇勫０閬撲腑.濡侾OP鎰熷彈鐨?D绔嬩綋闊沖満鐜, 浣跨敤鑰呭彲浠ュ垎鍒瀹氶珮涓綆涓変釜棰戠巼甯︿箣闊寵渚濊妭濂忛『鏃墮拡鎴栭嗘椂閽堟柟鍚戞棆杞?br />
CMSS 澶氶煶綆辯幆緇曪紙Creative Multi-Speaker Surround錛?br />鍒涙柊澶氶煶綆辯幆緇曪紙CMSS錛夋槸涓欏笶AX Music鎶鏈紝瀹冨彲浠ュ妯℃嫙绔嬩綋澹伴煶婧愯繘琛屾販鍚堬紝姣斿灝嗘櫘閫欳D銆乂HS褰曞儚甯︾殑澹伴煶娣烽煶涓哄澹伴亾鐜粫錛岀粡鐢?.1鎴?.1闊崇鎾斁鍑烘潵灝辮兘浣夸漢浣撻獙鍒板澹伴亾鐜粫鏁堟灉銆傚悗鏉ュ垱鏂版妸瀹冩墿灞曚負CMSS 3D鎶鏈紝 CMSS 3D鍙互璁╂偍灝嗕換浣曠珛浣撳０闊充箰杞崲鎴愪護浜烘儕濂囩殑6.1鐜粫澹伴煶銆侰MSS 3D涓嶄絾鍙互浜х敓鐜粫闊蟲晥錛岃繕鍙互鏅鴻兘鍦板皢涓昏鐨勪漢澹版斁緗湪涓ぎ闊崇銆傝屼笖CMSS 3D鑳藉灝嗙珛浣撳０鐨勭數褰辮漿鎹㈡垚5.1鎴?.1鐜粫澹伴煶! Sound Blaster Audigy 2涓瑿MSS 3D鐨勭畻娉曚篃鑳藉閫氳繃鑰蟲満鎴栫珛浣撳０闊崇鍒涢犲嚭鐪熷疄鐨勪笁緇寸┖闂存劅銆?br />
Dolby Digital 錛圖olby Surround AC-3錛?/b>
鍒涙柊鍦?000騫?鏈堝彂甯僑ound Blaster Live錛?.1緋誨垪澹板崱錛屽畠鏄垱鏂伴嬈劇‖浠舵敮鎸丏olby Digital鐨勪駭鍝併侱olby Digital錛堟潨姣旀暟鐮侊級鏄潨姣斿疄楠屽鎵鍙戞槑鐨勫搴獎闄㈠澹伴亾鏁板瓧闊抽緋葷粺銆侫C-3鏄疉udio Coding 3鐨勭畝縐幫紝鐩磋瘧涓虹涓変唬闊抽緙栫爜錛屽畠鏄竴濂楅煶棰戝帇緙╂妧鏈侱olby Digital鏄紑鍙戠殑鍒濇湡鏄拡瀵圭數褰卞澹伴亾鐜粫緋葷粺鎵鐮斿彂鐨勬柊鎶鏈紝涓轟簡澶у箙闄嶄綆緙栫爜鍚庣殑鏂囦歡澶у皬錛孌olby Digital搴旂敤浜嗘湁鎹熷帇緙╂妧鏈傛墍璋撴湁鎹熷帇緙╋紝灝辨槸涓鏃﹀帇緙╀箣鍚庯紝灝辨棤娉曞畬鍏ㄨ繕鍘熸垚鍘熸湰鐨勯潰璨岋紝浣嗘槸濡傛灉鎹熷け鐨勬槸涓浜涙棤鍏崇揣瑕佺殑淇″彿錛屽垯鑳借揪鎴愬ぇ騫呯緝鍑忔枃浠跺ぇ灝忕殑鐩殑銆侱olby Digital涓鍏辨湁5.1涓０閬擄細鍒嗗埆鏄墠宸︺佸墠鍙熾佷腑澶佸悗宸︾幆緇曘佸悗鍙崇幆緇曠瓑浜斾釜澹伴亾錛屽叏閮芥槸鍏ㄩ孌靛０閬擄紝鍐嶅姞涓婁竴涓?Hz-120Hz鐨勮秴浣庨澹伴亾錛屾墍浠ョ粺縐頒負5.1澹伴亾銆?br />
Dolby Digital EX錛堟潨姣旀暟鐮丒X錛?/b>
鏉滄瘮瀹為獙瀹ゅ紑鍙戠殑涓縐嶉煶棰戞牸寮忥紝鎻愪緵浜?.1澹伴亾銆佹竻鏅扮殑鐜粫澹般傛槸鍦ㄥ師鏉ョ殑Dolby Digital 5.1鐨勫熀紜涓婂鍔犱簡涓涓悗緗腑澶殑澹伴亾銆傚湪鎮ㄥ墠鏂圭殑宸︺佷腑銆佸彸澹伴亾涓哄鐧芥彁渚涗簡綺劇‘瀹氫綅銆傚悗閮ㄧ殑鐙珛宸﹀彸鐜粫澹伴亾鍒欒礋璐ｇ數褰變腑鐨勮儗鏅０錛岃屽悗緗腑澶０閬撳疄鐜頒簡鍚庣疆宸﹀彸澹伴亾闂寸殑鑷劧榪囨浮銆傞澶栫殑鍚庣疆涓ぎ澹伴亾瀹炵幇浜嗘洿浣崇殑鍚庣疆宸﹀彸澹伴亾闂寸殑絀挎鏁堟灉錛屼互鍙婇瓚婂ご欏剁瓑闊抽鎰熷彈銆?br />
DTS 錛圖igital Theater System錛?/b>
DTS 鏄編鍥界殑Digital Theater System鍏徃鎵鍙戝睍鍑烘潵鐨勪竴縐嶇數褰卞叏鏁板瓧澶氬０閬撶郴緇燂紝瀹冧篃鏄?.1澹伴亾銆侱TS鍜孉C-3涓鏍鳳紝涓轟簡瑕佸皢5.1澹伴亾鐨勪俊鎭噺瀛樺叆鐢靛獎鑳剁墖鐨勬湁闄愮┖闂村唴錛屼篃鍋氫簡鏈夋崯鍘嬬緝鍙婄紪鐮侊紝鍙槸涓や釜緋葷粺鍦ㄥ帇緙╃紪鐮佺殑鏂規硶涓庡師鐞嗕笂鏈夋墍涓嶅悓銆傜悊璁轟笂DTS姣擜C-3鎷ユ湁鏇村闊抽緇嗚妭銆傚ぇ鑷翠笂璇達紝AC-3鐨勪俊鎭帇緙╃巼騫沖潎楂樿揪12錛?錛屼俊鎭紶杈撶巼姣忕鍙湁384kbps鑷?48kbps錛岃孌TS騫沖潎淇℃伅鍘嬬緝鐜囧彧鏈?:1錛屼紶杈撶巼鍒欎負姣忕1.14kbps鑷?1.500kbps錛屽ぇ綰︽槸AC-3鐨勪笁鑷沖洓鍊嶏紝浣嗗氨浠ヤ笂鎸囨爣鑰岃█錛孌TS鐨勪繚鐪熷害瑕佷紭浜嶢C-3銆?br />
THX
2002 騫?鏈堬紝鍒涙柊鍏徃鍙戝竷Sound Blaster Audigy 2緋誨垪浜у搧銆傚畠鎷ユ湁鏀寔Dolby Digital EX 6.1澹伴亾銆丏VD-Audio銆乀HX璁よ瘉銆?4bit/96KHz絳夋柊鐗瑰緛銆傚煎緱娉ㄦ剰錛孉udigy 2鏄皯鏈夎幏寰桾HX鏍囧噯璁よ瘉鐨勫０鍗′駭鍝佷箣涓銆傝繖涓鏍囧噯鏈鍒濇槸鐢變箶娌誨崲鍗℃柉鏈漢鍒跺畾鐨勶紝鐢ㄤ簬淇濊瘉鏈鏃╃殑⟪鏄熺悆澶ф垬⟫褰辯墖涓殑闊充箰鍦ㄥ獎闄腑鎾斁鏃訛紝鑳藉杈懼埌鍦ㄥ綍闊蟲涓埗浣滄椂鎵棰勬兂鐨勬晥鏋溿傚悗鏉ヨ繖涓鏍囧噯琚簲鐢ㄤ簬瀹跺涵褰遍櫌緋葷粺錛岃岀洿鍒拌繎騫達紝THX鏍囧噯鎵嶈搴旂敤浜庤瘎浠稰C澶氬獟浣撶郴緇燂紝鍦ㄦ挱鏀?DVD褰辯墖鎴栫帺3D娓告垙鏃剁殑澶氬０閬撶幆緇曞０鏁堛傛墍鏈夌敵璇稵HX璁よ瘉鐨勪駭鍝佸繀欏葷鍚堜弗鏍肩殑鎬ц兘瑕佹眰鍜岃川閲忔爣鍑嗭紝鎵嶈兘鑾峰緱THX璁よ瘉鏍囧織銆傝繖浜涙ц兘鏍囧噯瑕嗙洊浜у搧鐨勬墍鏈夌壒寰侊紝鍖呮嫭鍔熺巼澶勭悊銆侀鐜囧搷搴斻佷紶鎾壒鎬х瓑銆傚洜姝わ紝THX鏍囧織鏄獎闊崇晫鏉冨▉璁よ瘉鐨勪繚璇併傞氳繃THX璁よ瘉騫惰幏寰桾HX鏍囧織鐨勪駭鍝侊紝灝嗕細甯︾粰鎮ㄥ墠鎵鏈湁鐨勫搧璐ㄥ拰鍙潬鎬с傜洰鍓嶅凡鏈夎澶氬巶鍟嗙敓浜х鍚圱HX鏍囧噯鐨勫獎闊沖櫒鏉愩備竴濂楀畬鍏ㄧ敱THX瑙勬牸鍣ㄦ潗緇勬垚鐨凙V緋葷粺搴旇鑳藉杈炬垚浠ヤ笅鐨勬晥鏋滐細涓銆佸叏棰戞鐨勯珮闊沖強浣庨煶銆備簩銆佸０闊蟲洿涓哄鉤欏鴻嚜鐒躲備笁銆佸湪鍚鑼冨洿鍐呮渶灝戠殑浣庨煶澶辯湡銆傚洓銆佹洿娓呮櫚鐨勪漢澹板畾浣嶃傚ぇ瀹惰娉ㄦ剰鐨勬槸錛歍HX鏄竴涓爣鍑嗚屼笉鏄竴浠跺櫒鏉愶紝THX鐨勭‘涓哄簲鐢ㄤ笓鍒╂妧鏈殑褰遍櫌鐢熶駭浜嗕竴鎵圭壒孌婁駭鍝侊紝浣嗘槸浠栦滑鐨勪富瑕佽亴鑳芥槸紜繚鑷繁媯嫻嬪拰璁よ瘉鐨勪駭鍝佸叿鏈夋渶楂樼殑璐ㄩ噺鍜屾ц兘鏍囧噯銆?br />
Environment Filtering錛堢幆澧冭繃婊わ級
鐜榪囨護鍙噯紜ā鎷熷湪寮鏀懼拰灝侀棴絀洪棿鐨勫０闊充紶鎾?br />
Multi-Environment錛堝鐜錛?/b>
澶氱幆澧冩妧鏈彲鍚屾椂鎻愪緵澶氳揪4縐嶅疄鏃剁幆澧冮煶鏁堛傚湪鐜板疄鐢熸椿鍦烘櫙涓紝鎮ㄦ墍鍚埌鐨勫０闊充笉浠呭彈鍒板懆鍥寸幆澧冪殑褰卞搷錛岃屼笖鍙楀埌鈥滃疄鏃垛濈幆澧冪殑褰卞搷銆備緥濡傦紝鎮ㄥ湪涓涓ぇ鍘呴噷錛屽綋鍘呴噷鐨勫ぇ閽熸暡鍝嶆椂鎮ㄥ彲浠ユ劅鍒板洖澹板甫鏉ョ殑絀洪棿鎰燂紱浣嗗悓鏃訛紝澶у巺灝藉ご璧板粖涓紶鏉ョ殑絎戝０鍚搗鏉ュ簲鍏鋒湁杈冪獎鐨勫洖澹伴煶璐ㄣ?br />
Environment Panning錛堢幆澧冪Щ浣嶏級
鐜縐諱綅浣跨幆澧冮煶鏁堢殑涓夌淮絀洪棿闊蟲晥鍜屽畾浣嶆垚涓哄彲鑳姐?鍦ㄨ櫄鎷熶笘鐣屼腑錛屾湁寰堝鏃跺欓渶瑕佹ā鎷熶笉鏂帴榪戞垨璺濈杈冭繙鐨勯煶鏁堢幆澧冿紝姣斿鐏濺鍦ㄨ椹舵椂涓嶆柇鎺ヨ繎闅ч亾錛岀幆澧冪Щ浣嶅姛鑳芥槸閫氳繃涓夌淮絀洪棿瀹氫綅鏉ュ疄鐜版鏁堟灉鐨勩?br />
Environment Reflections錛堢幆澧冨弽灝勶級
鐜鍙嶅皠鎶鏈彁渚涘０闊沖弽灝勪互鍙婂洖鍝嶇殑瀹氫綅銆傚弽灝勬槸涓縐嶅湪鐪熷疄涓栫晫涓０闊充粠鐗╀綋琛ㄩ潰鍙嶅皠鍥炲埌鍚呰充腑鐨勭幇璞★紝鑰岀幆澧冨弽灝勪笉浠呭彲浠ユā鎷熷嚭榪欑鏁堟灉鑰屼笖榪樿兘緇欏０闊沖弽灝勫姞涓婁笁緇寸┖闂村畾浣嶃?br />
Environment Morphing錛堢幆澧冭繃娓★級
鍦ㄨ櫄鎷熶笘鐣屼腑錛岃櫄鎷熺殑鈥滆竟鐣屸濅嬌涓嶅悓絀洪棿鍜屽湴鍖哄垎紱匯傝法瓚?杈圭晫"浼氬湪闊抽涓紩璧風獊鐒剁殑鍙樺寲錛屼緥濡傦紝浠庝竴涓皬鎴塊棿榪涘叆涓涓ぇ媧炵┐銆傜幆澧冭繃娓¤兘琚敤鏉ユ參閫熷湴鎶婂惉浼椾粠涓涓幆澧冭繃娓″埌鍙︿竴涓幆澧冿紝灝辮薄鐜板疄鐢熸椿涓彂鐢熺殑鎯呭喌閭ｆ牱銆?/span>
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